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HopefulmonsterBOOK FORMAT
Hardcover, 6.25 x 9.5 in. / 168 pgs / 53 color / 105 bw PUBLISHING STATUS
Pub Date 11/2/2002
No longer our product DISTRIBUTION
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Catalog: FALL 2002 PRODUCT DETAILS
ISBN 9788877571465 TRADE
List Price: $30.00 CAD $35.00 AVAILABILITY
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| | | HOPEFULMONSTERRobert Smithson Bernd & Hilla Becher: Field TripsEssay by James Lingwood. Introduction by Vicente TodolĂ.
In December 1968, the American artist Robert Smithson embarked on a field trip to the huge industrial complex in the Ruhr district of Germany. His local guides were the Dusseldorf-based artist duo of Bernd and Hilla Becher, and Konrad Fischer, in whose Dusseldorf gallery Smithson was scheduled to exhibit. The Bechers had begun their own project of photographing the vernacular industrial architecture of Northern Europe in the early 1960s, and had already spent several months photographing at Oberhausen as well as at adjacent industrial sites. The different series of photographs made by Smithson and the Bechers of the same site foreground their respective preoccupations with the industrial landscape and the process of production and entropy, with systems and their inevitable dissolution. Their contrasting bodies of work embody alternate perspectives on time: the Bechers' sense of historical time and Smithson's of the geological. Though formally divergent, each artist's work comprises a radical rethinking of classical notions of beauty and landscape. Neither the Bechers' typologies nor Smithson's projects were possible without prospecting in neglected parts of the landscape, whose distressed state refuted any automatic relationship between history and progress.
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FORMAT: Hardcover, 6.25 x 9.5 in. / 168 pgs / 53 color / 105 b&w
LIST PRICE: U.S. $30.00
LIST PRICE: CANADA $35
ISBN: 9788877571465
PUBLISHER: Hopefulmonster
AVAILABLE: 11/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Robert Smithson Bernd & Hilla Becher: Field Trips Published by Hopefulmonster.
Essay by James Lingwood. Introduction by Vicente TodolĂ. In December 1968, the American artist Robert Smithson embarked on a field trip to the huge industrial complex in the Ruhr district of Germany. His local guides were the Dusseldorf-based artist duo of Bernd and Hilla Becher, and Konrad Fischer, in whose Dusseldorf gallery Smithson was scheduled to exhibit. The Bechers had begun their own project of photographing the vernacular industrial architecture of Northern Europe in the early 1960s, and had already spent several months photographing at Oberhausen as well as at adjacent industrial sites. The different series of photographs made by Smithson and the Bechers of the same site foreground their respective preoccupations with the industrial landscape and the process of production and entropy, with systems and their inevitable dissolution. Their contrasting bodies of work embody alternate perspectives on time: the Bechers' sense of historical time and Smithson's of the geological. Though formally divergent, each artist's work comprises a radical rethinking of classical notions of beauty and landscape. Neither the Bechers' typologies nor Smithson's projects were possible without prospecting in neglected parts of the landscape, whose distressed state refuted any automatic relationship between history and progress.
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