| | BOOK FORMAT
Hardcover, 9.5 x 11.75 in. / 272 pgs / 250 color. PUBLISHING STATUS
Pub Date 3/1/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2006 p. 122 PRODUCT DETAILS
ISBN 9788475067339 TRADE
List Price: $55.00 CAD $65.00 AVAILABILITY
Not available | TERRITORY
NA ASIA AU/NZ AFR ME | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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Over the past 20 years, Spanish painter Jorge Galindo's work has become an increasingly important piece of the puzzle that is the European art world. His passionate, chaotic approach to the canvas has testified to a strong artistic temperament, while his use of a range of materials--some salvaged--in large formats has complicated matters agreeably. More recently his work is evolving into a figurative, and on occasion almost clean, style. Having left behind the collage, Galindo is working with calendar-like mid-century images of women, and painting in disproportionate, out of place, and sometimes fantastic elements. Some might call the resulting works trompe l'oeil collages; he defines them as "unreal paintings." This is the first catalogue dedicated to Galindo's work.
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FORMAT: Hardcover, 9.5 x 11.75 in. / 272 pgs / 250 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9788475067339
PUBLISHER: Turner/Ramis Barquet
AVAILABLE: 3/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 122 | PRESS INQUIRIES
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| Jorge Galindo: Elixir Published by Turner/Ramis Barquet.
Essay by Omar Pascual. Over the past 20 years, Spanish painter Jorge Galindo's work has become an increasingly important piece of the puzzle that is the European art world. His passionate, chaotic approach to the canvas has testified to a strong artistic temperament, while his use of a range of materials--some salvaged--in large formats has complicated matters agreeably. More recently his work is evolving into a figurative, and on occasion almost clean, style. Having left behind the collage, Galindo is working with calendar-like mid-century images of women, and painting in disproportionate, out of place, and sometimes fantastic elements. Some might call the resulting works trompe l'oeil collages; he defines them as "unreal paintings." This is the first catalogue dedicated to Galindo's work.
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