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| | BOOK FORMAT
Paperback, 7.75 x 10 in. / 135 pgs / 144 duotone. PUBLISHING STATUS
Pub Date 12/1/2007
Out of print DISTRIBUTION
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Catalog: SPRING 2006 p. 75 PRODUCT DETAILS
ISBN 9788475067322 TRADE
List Price: $40.00 CAD $50.00 AVAILABILITY
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NA ASIA AU/NZ AFR ME | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | The Shock of Modernity: Crime Photography in Mexico CityEdited By Julio Patán. Essay by Jesse Lerner.
Agustín Víctor Casasola and his brother Miguel were photojournalists until the foreign press corps arrived to cover the Mexican revolution in 1911, when they formed an agency that eventually compiled more than a million images. The Shock of Modernity collects a careful selection of work from the Casasolas' criminological archive, now property of the Fototeca of the National Institute of Anthropology and History in Pachuca, Hidalgo. Collectively these images--which include scenes of crimes, reconstructions of crimes, and documentation of evidence and police procedures--offer a cutaway view of society over the course of the first half of the twentieth century.
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FORMAT: Paperback, 7.75 x 10 in. / 135 pgs / 144 duotone.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9788475067322
PUBLISHER: Turner/INAH
AVAILABLE: 12/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 75 | PRESS INQUIRIES
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| The Shock of Modernity: Crime Photography in Mexico City Published by Turner/INAH.
Edited By Julio Patán. Essay by Jesse Lerner. Agustín Víctor Casasola and his brother Miguel were photojournalists until the foreign press corps arrived to cover the Mexican revolution in 1911, when they formed an agency that eventually compiled more than a million images. The Shock of Modernity collects a careful selection of work from the Casasolas' criminological archive, now property of the Fototeca of the National Institute of Anthropology and History in Pachuca, Hidalgo. Collectively these images--which include scenes of crimes, reconstructions of crimes, and documentation of evidence and police procedures--offer a cutaway view of society over the course of the first half of the twentieth century.
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