| | BOOK FORMAT Paperback, 6.5 x 7 in. / 144 pgs / 76 duotones. PUBLISHING STATUS Pub Date 8/15/2006 Active DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2006 p. 102 PRODUCT DETAILS ISBN 9788072152667 TRADE List Price: $20.00 CAD $27.95 GBP £17.50 AVAILABILITY In stock | TERRITORY WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Eugen WiskovskyEssay by VladimĂr Birgus.
The oeuvre of the leading Czech avant-garde photographer Eugen Wiskovsky (1888-1964) is not large in size or subject range, but it is noteworthy in its originality, depth of ideas, and mastery. Wiskovsky's early New Objectivist works, from the late 1920s and early 1930s, sought artistic effect in apparently nonaesthetic objects: His inventive lighting and cropping allowed their elementary lines to stand out, to lose their worldly associations and take on potential metaphorical meanings. In his dynamic diagonal compositions, Wiskovsky was among the most radical practitioners of Czech Constructivism. His landscape work is similarly distinctive. With text from Vladim'r Birgus, a historian of photography and the head of the Institute of Creative Photography at Silesian University, Opava, in the Czech Republic.
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FORMAT: Paperback, 6.5 x 7 in. / 144 pgs / 76 duotones. LIST PRICE: U.S. $20.00 LIST PRICE: CANADA $27.95 GBP £17.50 ISBN: 9788072152667 PUBLISHER: Torst AVAILABLE: 8/15/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD | D.A.P. CATALOG: FALL 2006 Page 102 | PRESS INQUIRIES
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| Eugen Wiskovsky Published by Torst. Essay by VladimĂr Birgus. The oeuvre of the leading Czech avant-garde photographer Eugen Wiskovsky (1888-1964) is not large in size or subject range, but it is noteworthy in its originality, depth of ideas, and mastery. Wiskovsky's early New Objectivist works, from the late 1920s and early 1930s, sought artistic effect in apparently nonaesthetic objects: His inventive lighting and cropping allowed their elementary lines to stand out, to lose their worldly associations and take on potential metaphorical meanings. In his dynamic diagonal compositions, Wiskovsky was among the most radical practitioners of Czech Constructivism. His landscape work is similarly distinctive. With text from Vladim'r Birgus, a historian of photography and the head of the Institute of Creative Photography at Silesian University, Opava, in the Czech Republic.
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