| | BOOK FORMAT
Paperback, 6.25 x 7 in. / 154 pgs / 75 duotone. PUBLISHING STATUS
Pub Date 10/2/2003
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2003 PRODUCT DETAILS
ISBN 9788072151820 TRADE
List Price: $16.95 CAD $20.00 AVAILABILITY
Not available | TERRITORY
WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Josef SudekEdited by Anna Farova.
Dubbed the poet of Prague, Josef Sudek was one of the most important and celebrated of Czech photographers. Sudek produced his best work during his middle-aged years, having grown up and out of the rules of Modernism and into a style of his own. Whereas his photographs from the 1930s are mainly a reflection of the external world, by the 1940s he was returning to himself, finding his own unique creative path. It was during this period that he made his most famous photograph, a view of the world seen through his studio window, the window ledge doubling as a stage for still life objects--a setup which he repeated to great effect. Not even the pressures of WWII and the difficult postwar years, including the demands of socialist realism in the arts, interrupted the continuity of his oeuvre.
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| | | | | |  | TorstISBN: 9788072155064
USD $25.00 | CAD $34.5 UK £ 22Pub Date: 7/26/2016
Active | In stock
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|  | TorstISBN: 9788072155071
USD $60.00 | CAD $79 UK £ 53Pub Date: 7/26/2016
Active | Out of stock
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|  | TorstISBN: 9788072153442
USD $60.00 | CAD $79 UK £ 53Pub Date: 4/30/2011
Active | Out of stock
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FORMAT: Paperback, 6.25 x 7 in. / 154 pgs / 75 duotone.
LIST PRICE: U.S. $16.95
LIST PRICE: CANADA $20
ISBN: 9788072151820
PUBLISHER: Torst
AVAILABLE: 10/2/2003
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Josef Sudek Published by Torst.
Edited by Anna Farova. Dubbed the poet of Prague, Josef Sudek was one of the most important and celebrated of Czech photographers. Sudek produced his best work during his middle-aged years, having grown up and out of the rules of Modernism and into a style of his own. Whereas his photographs from the 1930s are mainly a reflection of the external world, by the 1940s he was returning to himself, finding his own unique creative path. It was during this period that he made his most famous photograph, a view of the world seen through his studio window, the window ledge doubling as a stage for still life objects--a setup which he repeated to great effect. Not even the pressures of WWII and the difficult postwar years, including the demands of socialist realism in the arts, interrupted the continuity of his oeuvre.
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