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Paperback, 5.5 x 7 in. / 160 pgs / 36 bw. PUBLISHING STATUS
Pub Date 4/1/2006
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Catalog: SPRING 2006 p. 151 PRODUCT DETAILS
ISBN 9783938821091 TRADE
List Price: $20.00 CAD $25.00 AVAILABILITY
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| | | Bruce Nauman: Audio-Video Underground ChamberEssays by Edelbert Kàb, Achim Hochdàrfler, Stefan Neuner and Wolfram Pichler.
Before spider holes made their media debut, there was Bruce Nauman's spectacular 1972-74 installation Audio-Video Underground Chamber. Its single concrete vault, with dimensions close to those of the human body, is buried--like a coffin--one and a half meters deep. Integrated into the space are a lamp, a camera and a microphone, which transmit image and sound to a gallery. The actual existence of the buried cabin is concretized only in the viewers' imagination by means of the live broadcast and two of Nauman's explanatory, blueprint drawings. Image and sound call up associations with the psychic and existential borderline areas around which Nauman's art often revolves, with feelings of isolation and claustrophobia, experiences of loss of communication and of orientation, and traumas such as that of being buried alive.
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USD $40.00 | CAD $56Pub Date: 8/9/2015
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FORMAT: Paperback, 5.5 x 7 in. / 160 pgs / 36 b&w.
LIST PRICE: U.S. $20.00
LIST PRICE: CANADA $25
ISBN: 9783938821091
PUBLISHER: Verlag für moderne Kunst
AVAILABLE: 4/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 151 | PRESS INQUIRIES
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| Bruce Nauman: Audio-Video Underground Chamber Published by Verlag für moderne Kunst.
Essays by Edelbert Kàb, Achim Hochdàrfler, Stefan Neuner and Wolfram Pichler. Before spider holes made their media debut, there was Bruce Nauman's spectacular 1972-74 installation Audio-Video Underground Chamber. Its single concrete vault, with dimensions close to those of the human body, is buried--like a coffin--one and a half meters deep. Integrated into the space are a lamp, a camera and a microphone, which transmit image and sound to a gallery. The actual existence of the buried cabin is concretized only in the viewers' imagination by means of the live broadcast and two of Nauman's explanatory, blueprint drawings. Image and sound call up associations with the psychic and existential borderline areas around which Nauman's art often revolves, with feelings of isolation and claustrophobia, experiences of loss of communication and of orientation, and traumas such as that of being buried alive.
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