| | BOOK FORMAT Hardcover, 17.75 x 9.75 in. / 120 pgs / 54 color. PUBLISHING STATUS Pub Date 8/15/2005 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2005 p. 107 PRODUCT DETAILS ISBN 9783938025079 TRADE List Price: $120.00 CAD $160.00 AVAILABILITY Not available | TERRITORY NA LA ME | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Carsten Meier: Public ParkingEdited by Cindy Gates and Thomas Kaestle.
One byproduct of our global car culture is the proliferation of parking lots. By looking closely at these spaces that we usually ignore (unless we're searching for a parking spot), Carsten Meier, with these photographs, finds mystery in the mundane. Are they a real convenience or a kind of manipulation? In the empty parking lots of recently closed or just-built shopping centers, or in the vertigious view of a city over the railing of a multistorey deck, Meier depicts, as Stephen Shore has done before him, ordinary emblems of our extraordinary mobility.
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FORMAT: Hardcover, 17.75 x 9.75 in. / 120 pgs / 54 color. LIST PRICE: U.S. $120.00 LIST PRICE: CANADA $160 ISBN: 9783938025079 PUBLISHER: Kerber AVAILABLE: 8/15/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ME | D.A.P. CATALOG: FALL 2005 Page 107 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Carsten Meier: Public Parking Published by Kerber. Edited by Cindy Gates and Thomas Kaestle. One byproduct of our global car culture is the proliferation of parking lots. By looking closely at these spaces that we usually ignore (unless we're searching for a parking spot), Carsten Meier, with these photographs, finds mystery in the mundane. Are they a real convenience or a kind of manipulation? In the empty parking lots of recently closed or just-built shopping centers, or in the vertigious view of a city over the railing of a multistorey deck, Meier depicts, as Stephen Shore has done before him, ordinary emblems of our extraordinary mobility.
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