| | BOOK FORMAT Paperback, 8.25 x 10.25 in. / 32 pgs / 26 color / 1 duotone. PUBLISHING STATUS Pub Date 3/1/2006 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2006 p. 106 PRODUCT DETAILS ISBN 9783937572338 TRADE List Price: $25.00 CAD $34.50 AVAILABILITY Not available | TERRITORY NA LA ASIA AU/NZ AFR ME | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Fred Sandback: Drawings 1968-2000Essay by Gianfranco Verna.
Fred Sandback wanted from the beginning to make sculpture, but sculpture with neither volume nor mass, neither interior nor exterior. For more than half his life he succeeded in that impossible-sounding task, solving its riddle with lines in the form of steel wire and acrylic string. He described spaces, constructed perspectives, and demarcated borders, visible and invisible. The drawings on paper collected here, while closely allied to his exhibition work, were seldom mere drafts or working sketches; they are autonomous and self-confident signs.
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| | | | | | Dancing Foxes Press/Fred Sandback ArchiveISBN: 9781954947122 USD $35.00 | CAD $52 UK £ 30Pub Date: 10/22/2024 Active | In stock
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| | Richter VerlagISBN: 9783941263680 USD $60.00 | CAD $79Pub Date: 11/30/2014 Active | In stock
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| | SteidlISBN: 9783869304564 USD $85.00 | CAD $100Pub Date: 11/24/2015 Forthcoming
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FORMAT: Paperback, 8.25 x 10.25 in. / 32 pgs / 26 color / 1 duotone. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.5 ISBN: 9783937572338 PUBLISHER: Richter Verlag AVAILABLE: 3/1/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 106 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Fred Sandback: Drawings 1968-2000 Published by Richter Verlag. Essay by Gianfranco Verna. Fred Sandback wanted from the beginning to make sculpture, but sculpture with neither volume nor mass, neither interior nor exterior. For more than half his life he succeeded in that impossible-sounding task, solving its riddle with lines in the form of steel wire and acrylic string. He described spaces, constructed perspectives, and demarcated borders, visible and invisible. The drawings on paper collected here, while closely allied to his exhibition work, were seldom mere drafts or working sketches; they are autonomous and self-confident signs.
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