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Hardcover, 11 x 12.5 in. / 80 pgs / 44 color. PUBLISHING STATUS
Pub Date 2/2/2004
Out of print DISTRIBUTION
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Catalog: SPRING 2004 PRODUCT DETAILS
ISBN 9783936646368 TRADE
List Price: $55.00 CAD $65.00 AVAILABILITY
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| | | Eric Fischl: The Krefeld-ProjectEdited By Martin Hentschel. Essays by Martin Hentschel and Robert Rosenblum.
In the spring of 2002, artist Eric Fischl, best known for his Neo-Expressionist paintings of the 1980s, organized a three-day photo session at the Haus Esters, in the Krefelder Kunstmuseen, Germany. For the project, the house was temporarily furnished with modern domestic necessities and "inhabited" by two actors, an attractive middle-aged man and woman. Photographs of everyday scenes have long been a component of Fischl's repertoire, but here he took pictures of a disruptive mixture of fact and fiction: actors, playing normal people, in an artificial domestic surrounding. From the approximately 2,000 photographs that the artist shot, he carefully chose a selection to be used as sketches for twelve large-scale paintings. The capture ambiguous, intimate, and strangely uncanny moments in the bedroom, the living room, the bathroom, the sunroom, and the dining room. It is these new works that appear here, embodying an essential expansion and synthesis of Fischl's previous work.
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| | | | |  | Mousse PublishingISBN: 9788867493326
USD $50.00 | CAD $67.5Pub Date: 10/23/2018
Active | Out of stock
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FORMAT: Hardcover, 11 x 12.5 in. / 80 pgs / 44 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9783936646368
PUBLISHER: Kerber
AVAILABLE: 2/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Eric Fischl: The Krefeld-Project Published by Kerber.
Edited By Martin Hentschel. Essays by Martin Hentschel and Robert Rosenblum. In the spring of 2002, artist Eric Fischl, best known for his Neo-Expressionist paintings of the 1980s, organized a three-day photo session at the Haus Esters, in the Krefelder Kunstmuseen, Germany. For the project, the house was temporarily furnished with modern domestic necessities and "inhabited" by two actors, an attractive middle-aged man and woman. Photographs of everyday scenes have long been a component of Fischl's repertoire, but here he took pictures of a disruptive mixture of fact and fiction: actors, playing normal people, in an artificial domestic surrounding. From the approximately 2,000 photographs that the artist shot, he carefully chose a selection to be used as sketches for twelve large-scale paintings. The capture ambiguous, intimate, and strangely uncanny moments in the bedroom, the living room, the bathroom, the sunroom, and the dining room. It is these new works that appear here, embodying an essential expansion and synthesis of Fischl's previous work.
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