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Paperback, 9.5 x 11 in. / 160 pgs / 130 color. PUBLISHING STATUS
Pub Date 3/1/2007
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Catalog: SPRING 2007 p. 131 PRODUCT DETAILS
ISBN 9783905701968 TRADE
List Price: $45.00 CAD $60.00 GBP £25.00 AVAILABILITY
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| | | T.J. Wilcox: FilmsText by Hilton Als, Johanna Burton.
This comprehensive monograph illuminates Wilcox's work in collaged movie and television footage and handmade animation--mythical romantic mini-narratives--with essays from Johanna Burton and New Yorker critic Hilton Als. Wilcox shoots in Super 8, both original footage and preexisting film from a video monitor, transfers his work to video for editing, and then to 16 millimeter for presentation. When it is shown, the sound of the projector dominates the gallery space, while the silence of the film itself indexes the impossibility of hearing the silent voices. There is no illusion of transparency, of believing one might share any kind of simple present with the characters on the screen. Instead, the transfers between formats give the collected imagery a sort of patina, suggesting not only temporal distance--the weight of history--but also a shift in the equilibrium of the senses. As seen at The Museum of Modern Art and the 2004 Whitney Biennial in New York.
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FORMAT: Paperback, 9.5 x 11 in. / 160 pgs / 130 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $60
GBP £25.00
ISBN: 9783905701968
PUBLISHER: JRP|Ringier
AVAILABLE: 3/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: WORLD Excl FR DE AU CH | D.A.P. CATALOG: SPRING 2007 Page 131 | PRESS INQUIRIES
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| T.J. Wilcox: Films Published by JRP|Ringier.
Text by Hilton Als, Johanna Burton. This comprehensive monograph illuminates Wilcox's work in collaged movie and television footage and handmade animation--mythical romantic mini-narratives--with essays from Johanna Burton and New Yorker critic Hilton Als. Wilcox shoots in Super 8, both original footage and preexisting film from a video monitor, transfers his work to video for editing, and then to 16 millimeter for presentation. When it is shown, the sound of the projector dominates the gallery space, while the silence of the film itself indexes the impossibility of hearing the silent voices. There is no illusion of transparency, of believing one might share any kind of simple present with the characters on the screen. Instead, the transfers between formats give the collected imagery a sort of patina, suggesting not only temporal distance--the weight of history--but also a shift in the equilibrium of the senses. As seen at The Museum of Modern Art and the 2004 Whitney Biennial in New York.
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