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Generali Foundation, ViennaBOOK FORMAT
Clothbound, 7.5 x 9.5 in. / 192 pgs / 19 color / 42 bw. PUBLISHING STATUS
Pub Date 12/2/2001
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2002 PRODUCT DETAILS
ISBN 9783901107344 TRADE
List Price: $39.95 CAD $50.00 AVAILABILITY
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| | | GENERALI FOUNDATION, VIENNAHans Haacke: We Are Who We AreEdited by Sabine Breitwieser. Essays by Hans Haacke, Christian Kravagna, Heidemarie Uhl. Foreword by Dietrich Karner.
Long known for bringing trenchant analyses of sociopolitical structures into museum contexts, Hans Haacke has in the past exposed corporations who use art sponsorship to booster their image and slum landlords who hide behind diversified corporations. In his first exhibition in Vienna, the title of which gives its name to this book, Haacke tackles Austria's emotionally laden understanding of its own history and national identity. A larger discourse on "the culture of memory" weaves its way through selected historical works of Haacke's, including his 1999 project for the Reichstag, as well as through the artist's own writings, available here for the first time.
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| | | | |  | Swiss Institute/KarmaISBN: 9780999505953
USD $30.00 | CAD $42 UK £ 20Pub Date: 5/9/2023
Active | In stock
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FORMAT: Clothbound, 7.5 x 9.5 in. / 192 pgs / 19 color / 42 b&w.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9783901107344
PUBLISHER: Generali Foundation, Vienna
AVAILABLE: 12/2/2001
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: *not available | D.A.P. CATALOG: SPRING 2002 | PRESS INQUIRIES
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| Hans Haacke: We Are Who We Are Published by Generali Foundation, Vienna.
Edited by Sabine Breitwieser. Essays by Hans Haacke, Christian Kravagna, Heidemarie Uhl. Foreword by Dietrich Karner. Long known for bringing trenchant analyses of sociopolitical structures into museum contexts, Hans Haacke has in the past exposed corporations who use art sponsorship to booster their image and slum landlords who hide behind diversified corporations. In his first exhibition in Vienna, the title of which gives its name to this book, Haacke tackles Austria's emotionally laden understanding of its own history and national identity. A larger discourse on "the culture of memory" weaves its way through selected historical works of Haacke's, including his 1999 project for the Reichstag, as well as through the artist's own writings, available here for the first time.
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