| | PUBLISHER
Kunsthaus BregenzBOOK FORMAT
Hardcover, 8.75 x 10 in. / 64 pgs / 50 color. PUBLISHING STATUS
Pub Date 8/15/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2006 p. 129 PRODUCT DETAILS
ISBN 9783865600813 TRADE
List Price: $35.00 CAD $40.00 AVAILABILITY
Not available | TERRITORY
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| | | KUNSTHAUS BREGENZGelitin: Chinese Synthese LeberkaseEdited and Foreword by Eckhard Schneider. Essay by Iara Boubnova.
The "Good Bad Boys" of international art met as kids at camp and have been playing and working together ever since. They're best known for dramatic performances and installations-- in 2005 alone their relentlessly physical work included Hase, a gigantic pink stuffed rabbit installed on a hill above Turin and scheduled to stay there for 20 years; Sweatwat, a chaotic spa-themed open-house; and The Tantamounter, an ersatz copy machine that turned out, in half an hour or less, handmade replicas of whatever object was dropped down its hatch. Their first large-scale museum exhibit, documented here, offered unprecedented opportunities to spread out and take over a traditional venue. Their installations included a public restroom and a movie theater, and their opening was a two-day performance event that combined film, happening, performance art and rock-and-roll show. With large-format photographs and insightful text.
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FORMAT: Hardcover, 8.75 x 10 in. / 64 pgs / 50 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9783865600813
PUBLISHER: Kunsthaus Bregenz
AVAILABLE: 8/15/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ | D.A.P. CATALOG: FALL 2006 Page 129 | PRESS INQUIRIES
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| Gelitin: Chinese Synthese Leberkase Published by Kunsthaus Bregenz.
Edited and Foreword by Eckhard Schneider. Essay by Iara Boubnova. The "Good Bad Boys" of international art met as kids at camp and have been playing and working together ever since. They're best known for dramatic performances and installations-- in 2005 alone their relentlessly physical work included Hase, a gigantic pink stuffed rabbit installed on a hill above Turin and scheduled to stay there for 20 years; Sweatwat, a chaotic spa-themed open-house; and The Tantamounter, an ersatz copy machine that turned out, in half an hour or less, handmade replicas of whatever object was dropped down its hatch. Their first large-scale museum exhibit, documented here, offered unprecedented opportunities to spread out and take over a traditional venue. Their installations included a public restroom and a movie theater, and their opening was a two-day performance event that combined film, happening, performance art and rock-and-roll show. With large-format photographs and insightful text.
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