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FolioBOOK FORMAT
Hardcover, 6 x 7.75 in. / 96 pgs / 50 color / 8 bw. PUBLISHING STATUS
Pub Date 8/2/2004
Out of print DISTRIBUTION
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Catalog: FALL 2004 PRODUCT DETAILS
ISBN 9783852562650 TRADE
List Price: $25.00 CAD $30.00 AVAILABILITY
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| | | FOLIOEmily Jacir: BelongingsWorks: 1998-2003Essays by Edward Said, Christian Kravagna, Stella Rollig, and John Menick. Introduction by Martin Sturm.
Emily Jacir is an artist who lives in between New York and Ramallah. It's no surprise that a central motif in her work is the theme of voluntary and coerced movement between places and cultures. The projects she has undertaken over the past five years have pungently, poignantly crossed the divides between art, life, politics and culture over and over again. In “Where We Come From,” Jacir, armed with an American passport, crossed borders in the West Bank and the Gaza Strip fulfilling everyday requests for fellow Palestinians unable to move so freely. In “Sexy Semite,” she placed ads in the Village Voice, a “Hot Palestinian Semite” seeking “Jewish soul mate” and the like. And in “Memorial to 418 Palestinian Villages which were Destroyed, Depopulated and Occupied by Israel in 1948,” Jacir installed a refugee tent in her studio in Lower Manhattan and invited friends and strangers to help her embroider the village names. Belongings is the first monograph published on her work.
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| | | | |  | Verlag für moderne KunstISBN: 9783939738572
USD $65.00 | CAD $87Pub Date: 4/1/2008
Active | In stock
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FORMAT: Hardcover, 6 x 7.75 in. / 96 pgs / 50 color / 8 b&w.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $30
ISBN: 9783852562650
PUBLISHER: Folio
AVAILABLE: 8/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Emily Jacir: Belongings
Works: 1998-2003 Published by Folio.
Essays by Edward Said, Christian Kravagna, Stella Rollig, and John Menick. Introduction by Martin Sturm. Emily Jacir is an artist who lives in between New York and Ramallah. It's no surprise that a central motif in her work is the theme of voluntary and coerced movement between places and cultures. The projects she has undertaken over the past five years have pungently, poignantly crossed the divides between art, life, politics and culture over and over again. In “Where We Come From,” Jacir, armed with an American passport, crossed borders in the West Bank and the Gaza Strip fulfilling everyday requests for fellow Palestinians unable to move so freely. In “Sexy Semite,” she placed ads in the Village Voice, a “Hot Palestinian Semite” seeking “Jewish soul mate” and the like. And in “Memorial to 418 Palestinian Villages which were Destroyed, Depopulated and Occupied by Israel in 1948,” Jacir installed a refugee tent in her studio in Lower Manhattan and invited friends and strangers to help her embroider the village names. Belongings is the first monograph published on her work.
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