| | BOOK FORMAT
Paperback, 8.25 x 11 in. / 288 pgs / 150 color. PUBLISHING STATUS
Pub Date 2/2/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2004 PRODUCT DETAILS
ISBN 9783832173555 TRADE
List Price: $39.95 CAD $50.00 AVAILABILITY
Not available | TERRITORY
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| | | Andrea Fraser: Works 1984 To 2003Edited by Yilmaz Dziewior.
Best known for her performance critiques of art institutions, art publications, art sponsorship, and cultural transfer--think subversive museum docent--Andrea Fraser is one of the more prominent artists to raise institutional criticism to the level of art itself. Since the early 90s, when she would stage tours through exhibitions or hold discussions on art, her work has developed a more deliberately visual character. Working now mostly in video installation, Fraser produces such imagery as Soldadera, a video in which she plays a revolutionary on horseback, evoking the time of the Mexican revolution and the problem of North-American influence on Mexico in the 1930s. In Exhibition, she appears as a scantily-clad Samba dancer, demonstrating the important place of popular culture in an art context. This monograph, the most complete published on the artist to date, reveals the diversity of her work; also included are her critical texts, documents fundamental to the interpretation of her artistic oeuvre.
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FORMAT: Paperback, 8.25 x 11 in. / 288 pgs / 150 color.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9783832173555
PUBLISHER: DuMont
AVAILABLE: 2/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Andrea Fraser: Works 1984 To 2003 Published by DuMont.
Edited by Yilmaz Dziewior. Best known for her performance critiques of art institutions, art publications, art sponsorship, and cultural transfer--think subversive museum docent--Andrea Fraser is one of the more prominent artists to raise institutional criticism to the level of art itself. Since the early 90s, when she would stage tours through exhibitions or hold discussions on art, her work has developed a more deliberately visual character. Working now mostly in video installation, Fraser produces such imagery as Soldadera, a video in which she plays a revolutionary on horseback, evoking the time of the Mexican revolution and the problem of North-American influence on Mexico in the 1930s. In Exhibition, she appears as a scantily-clad Samba dancer, demonstrating the important place of popular culture in an art context. This monograph, the most complete published on the artist to date, reveals the diversity of her work; also included are her critical texts, documents fundamental to the interpretation of her artistic oeuvre.
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