| | BOOK FORMAT
Hardcover, 10.5 x 9.5 in. / 208 pgs / 30 color PUBLISHING STATUS
Pub Date 8/2/2002
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2002 PRODUCT DETAILS
ISBN 9783775791137 TRADE
List Price: $39.95 CAD $50.00 AVAILABILITY
Not available | TERRITORY
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| | | James ColemanEdited by Helmut Friedel. Essays by Kaja Silverman and Helmut Friedel. Introduction by Susanne Gaensheimer.
That which is seen and the act of seeing have long been preoccupations of Irish-born artist James Coleman. Having rejected painting in the 1970s, Coleman turned to the reproductive media of video and film, as well as theater projects, but his preferred format remains photography displayed through large-scale slide projection. Extraordinarily precise, both pictorially and narratively, his audio visual works are reminiscent of scenes from daily life, film, and literature, offering tightly orchestrated social situations shot in in colorful, multiple fade-over stills accompanied by spoken text with a highly differentiated soundtrack--but with a narrative structure that remains enigmatic. This publication features a detailed essay by noted film theorist Kaja Silverman and a specially reconstructed version of Coleman's 1973 slide projection Seagulls.
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FORMAT: Hardcover, 10.5 x 9.5 in. / 208 pgs / 30 color
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9783775791137
PUBLISHER: Hatje Cantz
AVAILABLE: 8/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2002 | PRESS INQUIRIES
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| James Coleman Published by Hatje Cantz.
Edited by Helmut Friedel. Essays by Kaja Silverman and Helmut Friedel. Introduction by Susanne Gaensheimer. That which is seen and the act of seeing have long been preoccupations of Irish-born artist James Coleman. Having rejected painting in the 1970s, Coleman turned to the reproductive media of video and film, as well as theater projects, but his preferred format remains photography displayed through large-scale slide projection. Extraordinarily precise, both pictorially and narratively, his audio visual works are reminiscent of scenes from daily life, film, and literature, offering tightly orchestrated social situations shot in in colorful, multiple fade-over stills accompanied by spoken text with a highly differentiated soundtrack--but with a narrative structure that remains enigmatic. This publication features a detailed essay by noted film theorist Kaja Silverman and a specially reconstructed version of Coleman's 1973 slide projection Seagulls.
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