| | BOOK FORMAT
Paperback, 6.25 x 8 in. / 128 pgs / 30 color / 30 bw PUBLISHING STATUS
Pub Date 2/2/2001
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2001 PRODUCT DETAILS
ISBN 9783775790253 TRADE
List Price: $13.95 CAD $15.00 AVAILABILITY
Not available | TERRITORY
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| | | Haim Steinbach: North East South WestEdited by Neuer Berliner Kunstverein. Essays by Bruce W. Ferguson, Valentin Rauer, Stephanie Rosenthal.
Along with Robert Gober and Jeff Koons, New York-based Haim Steinbach is one of the most renowned exponents of the late 70s art movement which endeavored to revamp the post-Duchamp tradition of ready-mades in the face of a rising wave of neo-expressionism. Steinbach has become known for his "thing altars," carefully manufactured shelves containing borrowed or purchased objects that take on new meaning in the context of their surroundings, recalling Robert Smithson's notions of "site" and "non-site." This new book in the Cantz Series documents a Berlin-specific installation by the artist. Steinbach, born to German-Jewish parents in Israel, stayed in the former East Germany for the first time, visiting families all over Berlin and borrowing individual objects or arrangements which he then transferred to an art space. In doing so the artist became the curator of a sort of group exhibition of "collected collections" which interact in surprising ways in their new space.
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FORMAT: Paperback, 6.25 x 8 in. / 128 pgs / 30 color / 30 b&w
LIST PRICE: U.S. $13.95
LIST PRICE: CANADA $15
ISBN: 9783775790253
PUBLISHER: Hatje Cantz
AVAILABLE: 2/2/2001
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2001 | PRESS INQUIRIES
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| Haim Steinbach: North East South West Published by Hatje Cantz.
Edited by Neuer Berliner Kunstverein. Essays by Bruce W. Ferguson, Valentin Rauer, Stephanie Rosenthal. Along with Robert Gober and Jeff Koons, New York-based Haim Steinbach is one of the most renowned exponents of the late 70s art movement which endeavored to revamp the post-Duchamp tradition of ready-mades in the face of a rising wave of neo-expressionism. Steinbach has become known for his "thing altars," carefully manufactured shelves containing borrowed or purchased objects that take on new meaning in the context of their surroundings, recalling Robert Smithson's notions of "site" and "non-site." This new book in the Cantz Series documents a Berlin-specific installation by the artist. Steinbach, born to German-Jewish parents in Israel, stayed in the former East Germany for the first time, visiting families all over Berlin and borrowing individual objects or arrangements which he then transferred to an art space. In doing so the artist became the curator of a sort of group exhibition of "collected collections" which interact in surprising ways in their new space.
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