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| | BOOK FORMAT Hardcover, 11 x 11 in. / 136 pgs / 83 color. PUBLISHING STATUS Pub Date 11/1/2006 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2007 p. 120 PRODUCT DETAILS ISBN 9783775718691 TRADE List Price: $55.00 CAD $65.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Wang QingsongText by Zoe Butt.
Wang Qingsong (b.1966), the enfant terrible of contemporary Chinese art photography, stages grand, kitschy tableaux that call to mind traditional Chinese scrolls, allegorical Renaissance paintings, Socialist public sculptures and more. Sexy, ironic and always over the top, the photographs critique China's new consumer culture, its growing materialism and wastefulness, while simultaneously revelling in its newfound decadence. Many of Qingsong's best works are amusing self-portraits, in which the artist positions himself in such a way as to force the viewer to question the direction in which our collective culture is turning.
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FORMAT: Hardcover, 11 x 11 in. / 136 pgs / 83 color. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $65 ISBN: 9783775718691 PUBLISHER: Hatje Cantz AVAILABLE: 11/1/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2007 Page 120 | PRESS INQUIRIES
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| Wang Qingsong Published by Hatje Cantz. Text by Zoe Butt. Wang Qingsong (b.1966), the enfant terrible of contemporary Chinese art photography, stages grand, kitschy tableaux that call to mind traditional Chinese scrolls, allegorical Renaissance paintings, Socialist public sculptures and more. Sexy, ironic and always over the top, the photographs critique China's new consumer culture, its growing materialism and wastefulness, while simultaneously revelling in its newfound decadence. Many of Qingsong's best works are amusing self-portraits, in which the artist positions himself in such a way as to force the viewer to question the direction in which our collective culture is turning.
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