| | BOOK FORMAT
Hardcover, 8 x 10 in. / 200 pgs / 150 color. PUBLISHING STATUS
Pub Date 1/15/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2006 p. 142 PRODUCT DETAILS
ISBN 9783775718004 TRADE
List Price: $50.00 CAD $60.00 AVAILABILITY
Not available | TERRITORY
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| | | Christian Philipp MüllerEdited by Philipp Kaiser. Essays by Sabeth Buchmann and Miwon Kwon.
The Swiss artist Christian Philipp Muller, who has been based in New York and Cologne for more than a decade, may be best known for a series of performances timed to his appearance in the 1993 Venice Bienniale: Green Border saw him cross over and back from Austria to adjacent territories repeatedly, each time illegally. Muller, who has also performed as a Dutch royal at ceremonious social occasions and costumed himself as a museum guard, given out mock-historical pamphlets and offered tours of student exhibitions, remains interested in all the questions raised by this sort of work--in context or site-specificity, in historical or cultural codes, in research and investigations of all sorts, and not least in surprising and entertaining the viewer. Christian Philipp Muller offers a concise survey of his oeuvre.
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FORMAT: Hardcover, 8 x 10 in. / 200 pgs / 150 color.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9783775718004
PUBLISHER: Hatje Cantz
AVAILABLE: 1/15/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2006 Page 142 | PRESS INQUIRIES
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| Christian Philipp Müller Published by Hatje Cantz.
Edited by Philipp Kaiser. Essays by Sabeth Buchmann and Miwon Kwon. The Swiss artist Christian Philipp Muller, who has been based in New York and Cologne for more than a decade, may be best known for a series of performances timed to his appearance in the 1993 Venice Bienniale: Green Border saw him cross over and back from Austria to adjacent territories repeatedly, each time illegally. Muller, who has also performed as a Dutch royal at ceremonious social occasions and costumed himself as a museum guard, given out mock-historical pamphlets and offered tours of student exhibitions, remains interested in all the questions raised by this sort of work--in context or site-specificity, in historical or cultural codes, in research and investigations of all sorts, and not least in surprising and entertaining the viewer. Christian Philipp Muller offers a concise survey of his oeuvre.
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