| | BOOK FORMAT Hardcover, 9.75 x 11.5 in. / 144 pgs / 80 color. PUBLISHING STATUS Pub Date 7/15/2005 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2005 p. 102 PRODUCT DETAILS ISBN 9783775715928 TRADE List Price: $55.00 CAD $65.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Andreas Gefeller: SupervisionsEdited by Roland Nachtigâller. Essay by Stephan Berg.
Photographer Andreas Gefeller sees the world through a strange lens, offering the viewer pictures that at first glance seem composed of abstract, color-saturated elements and only later resolve into something completely familiar--chairs on a beach, lines on pavement, grass on an urban plaza--but yet not. In Soma, the series that first brought him to attention, Gefeller documented major tourist centers using extremely long night exposures, thereby producing effects that underscore the artificiality of the locales. Bereft of people and sunlight, of any life at all really, the depicted beachfront hotels and pools take on a strangely threatening character. In Supervisions, his most recent series, Gefeller employs a complicated photographic technique to scan the surfaces of urban spaces, creating extraordinary images more akin to hard-edge abstract paintings than landscape photography. Composites of hundreds of individual shots, these puzzling, striking works appear as bird's eye views or observations shot from fantasy angles. A testament to Gefeller's interest in the twilight zone that becomes ever denser between reality and fiction, Supervisions reveals itself to the viewer in stages, offering up elements that appear first as abstractions, then as familiar elements of our environment, and finally as impossible visions of the world that surrounds us.
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| | | | | | Hatje CantzISBN: 9783775754644 USD $62.00 | CAD $89Pub Date: 7/4/2023 Active | In stock
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| | Hatje CantzISBN: 9783775741163 USD $70.00 | CAD $92.5Pub Date: 8/23/2016 Active | Out of stock
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FORMAT: Hardcover, 9.75 x 11.5 in. / 144 pgs / 80 color. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $65 ISBN: 9783775715928 PUBLISHER: Hatje Cantz AVAILABLE: 7/15/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: FALL 2005 Page 102 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Andreas Gefeller: Supervisions Published by Hatje Cantz. Edited by Roland Nachtigâller. Essay by Stephan Berg. Photographer Andreas Gefeller sees the world through a strange lens, offering the viewer pictures that at first glance seem composed of abstract, color-saturated elements and only later resolve into something completely familiar--chairs on a beach, lines on pavement, grass on an urban plaza--but yet not. In Soma, the series that first brought him to attention, Gefeller documented major tourist centers using extremely long night exposures, thereby producing effects that underscore the artificiality of the locales. Bereft of people and sunlight, of any life at all really, the depicted beachfront hotels and pools take on a strangely threatening character. In Supervisions, his most recent series, Gefeller employs a complicated photographic technique to scan the surfaces of urban spaces, creating extraordinary images more akin to hard-edge abstract paintings than landscape photography. Composites of hundreds of individual shots, these puzzling, striking works appear as bird's eye views or observations shot from fantasy angles. A testament to Gefeller's interest in the twilight zone that becomes ever denser between reality and fiction, Supervisions reveals itself to the viewer in stages, offering up elements that appear first as abstractions, then as familiar elements of our environment, and finally as impossible visions of the world that surrounds us.
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