| | BOOK FORMAT
Clothbound, 9 x 11 in. / 146 pgs / 62 color. PUBLISHING STATUS
Pub Date 7/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2005 p. 135 PRODUCT DETAILS
ISBN 9783775715867 SDNR30
List Price: $50.00 CAD $60.00 AVAILABILITY
Not available | TERRITORY
NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Santiago Sierra: House In MudEdited by Veit Gàrner and Hilke Wagner. Essays by Lutz Hieber, Waldemar Ràhrbein and Gordon Uhlmann, et. al.
At the Venice Biennale of 2003, Santiago Sierra walled in the entrance to the Spanish Pavilion and hired security guards to keep viewers out. Only those who held valid Spanish passports were allowed the privilege of entering the building. Non-Spanish visitors were puzzled, insulted, irate, annoyed and more--though they should hardly have been surprised, given Sierra's history of aggressively toying with economic, political and social issues to the point of genuine discomfort on the part of the viewer. Sierra's most recent project, Haus im Schlamm (House in Mud) at the Kestnergesellschaft in Hanover, Germany, links the institution's history with the city's. Taking as his starting point the manmade origins of Lake Masch, which was created in the city center as part of a government unemployment-relief program in the mid-1930s, Sierra addresses the question of what work is really worth. Visitors to the museum, which is the city's oldest art venue, are confronted with two rooms full of 400 tons of mud, spread on the floor and walls. Wearing a pair of the provided rubber boots or just bare feet, viewers are invited to trudge through and leave their tracks all over the art establishment.
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| | | | |  | Silvana EditorialeISBN: 9788836636792
USD $45.00 | CAD $60Pub Date: 9/26/2017
Active | In stock
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|  | Reykjavik Art MuseumISBN: 9789979769477
USD $39.95 | CAD $53.95Pub Date: 5/31/2013
Active | In stock
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|  | Walther König, KölnISBN: 9783865603630
USD $60.00 | CAD $79Pub Date: 8/1/2008
Active | Out of stock
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FORMAT: Clothbound, 9 x 11 in. / 146 pgs / 62 color.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9783775715867
PUBLISHER: Hatje Cantz
AVAILABLE: 7/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR30
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2005 Page 135 | PRESS INQUIRIES
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| Santiago Sierra: House In Mud Published by Hatje Cantz.
Edited by Veit Gàrner and Hilke Wagner. Essays by Lutz Hieber, Waldemar Ràhrbein and Gordon Uhlmann, et. al. At the Venice Biennale of 2003, Santiago Sierra walled in the entrance to the Spanish Pavilion and hired security guards to keep viewers out. Only those who held valid Spanish passports were allowed the privilege of entering the building. Non-Spanish visitors were puzzled, insulted, irate, annoyed and more--though they should hardly have been surprised, given Sierra's history of aggressively toying with economic, political and social issues to the point of genuine discomfort on the part of the viewer. Sierra's most recent project, Haus im Schlamm (House in Mud) at the Kestnergesellschaft in Hanover, Germany, links the institution's history with the city's. Taking as his starting point the manmade origins of Lake Masch, which was created in the city center as part of a government unemployment-relief program in the mid-1930s, Sierra addresses the question of what work is really worth. Visitors to the museum, which is the city's oldest art venue, are confronted with two rooms full of 400 tons of mud, spread on the floor and walls. Wearing a pair of the provided rubber boots or just bare feet, viewers are invited to trudge through and leave their tracks all over the art establishment.
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