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| | BOOK FORMAT Hardcover, 6.75 x 9.5 in. / 96 pgs / 92 color. PUBLISHING STATUS Pub Date 2/15/2005 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2005 p. 140 PRODUCT DETAILS ISBN 9783775715164 TRADE List Price: $24.95 CAD $27.50 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Philippe Bradshaw: A Fly In The HouseEssays by Margrit Brehm. Introduction by Agnes Husslein-Arco and Ralph Melcher.
Philippe Bradshaw draws as freely from the great masterpieces of art history as he does from the essential ideas of Conceptual, Minimal, or Pop Art, pirating at will from the bounteous domains of the art world. Bradshaw produced the first of his Chain Curtains, in which colored links form chains of images combined with the medium of video in the late 1990s. Yet, as shown in this book, his playful approach to the fruits of tradition differs distinctly from the conceptual appropriation of works of art as practiced by Elaine Sturtevant or Sherrie Levine. Bradshaw describes the process of motif transposition in his works as "bastardization." Color and disciplined chaos ensue.
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FORMAT: Hardcover, 6.75 x 9.5 in. / 96 pgs / 92 color. LIST PRICE: U.S. $24.95 LIST PRICE: CANADA $27.5 ISBN: 9783775715164 PUBLISHER: Hatje Cantz AVAILABLE: 2/15/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2005 Page 140 | PRESS INQUIRIES
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| Philippe Bradshaw: A Fly In The House Published by Hatje Cantz. Essays by Margrit Brehm. Introduction by Agnes Husslein-Arco and Ralph Melcher. Philippe Bradshaw draws as freely from the great masterpieces of art history as he does from the essential ideas of Conceptual, Minimal, or Pop Art, pirating at will from the bounteous domains of the art world. Bradshaw produced the first of his Chain Curtains, in which colored links form chains of images combined with the medium of video in the late 1990s. Yet, as shown in this book, his playful approach to the fruits of tradition differs distinctly from the conceptual appropriation of works of art as practiced by Elaine Sturtevant or Sherrie Levine. Bradshaw describes the process of motif transposition in his works as "bastardization." Color and disciplined chaos ensue.
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