| | BOOK FORMAT
Hardcover, 9.5 x 11.75 in. / 424 pgs / 264 color / 39 bw. PUBLISHING STATUS
Pub Date 2/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2005 p. 47 PRODUCT DETAILS
ISBN 9783775714976 TRADE
List Price: $78.00 CAD $95.00 AVAILABILITY
Not available | TERRITORY
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| | | Shanghai Modern 1919-1945Edited by Jo-Anne Birnie Danzker, Ken Lum and Zheng Shengtian. Essays by David Clarke, Xu Hong, Xu Jian, Zhang Qing, Kuiyi Shen, Michael Sullivan, Shui Tianzhong and Shelagh Vainker.
In the 1920s and 30s, Shanghai was established as one of the world's major cities. A vital, prospering metropolis with a population of over one million, and the commercial and cultural center of China, it was one place where it was certain that Western influences would have a forceful impact. Consequently, artists from different disciplines took part in the lively debates on the issue of what direction Chinese art and culture should take and Shanghai Modern documents this vigorous cultural exchange between the country and Europe, especially Germany. Through essays by authors of international renown, this book sheds new light on the early years of China's Western gaze, while it presents a magnificent collection of works by early exponents of Chinese Modernism, many of which have never been shown before.
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FORMAT: Hardcover, 9.5 x 11.75 in. / 424 pgs / 264 color / 39 b&w.
LIST PRICE: U.S. $78.00
LIST PRICE: CANADA $95
ISBN: 9783775714976
PUBLISHER: Hatje Cantz
AVAILABLE: 2/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2005 Page 47 | PRESS INQUIRIES
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| Shanghai Modern 1919-1945 Published by Hatje Cantz.
Edited by Jo-Anne Birnie Danzker, Ken Lum and Zheng Shengtian. Essays by David Clarke, Xu Hong, Xu Jian, Zhang Qing, Kuiyi Shen, Michael Sullivan, Shui Tianzhong and Shelagh Vainker. In the 1920s and 30s, Shanghai was established as one of the world's major cities. A vital, prospering metropolis with a population of over one million, and the commercial and cultural center of China, it was one place where it was certain that Western influences would have a forceful impact. Consequently, artists from different disciplines took part in the lively debates on the issue of what direction Chinese art and culture should take and Shanghai Modern documents this vigorous cultural exchange between the country and Europe, especially Germany. Through essays by authors of international renown, this book sheds new light on the early years of China's Western gaze, while it presents a magnificent collection of works by early exponents of Chinese Modernism, many of which have never been shown before.
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