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Hardcover, 6.5 x 9.5 in. / 256 pgs / 40 color / 10 bw. PUBLISHING STATUS
Pub Date 8/2/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2004 PRODUCT DETAILS
ISBN 9783775714730 TRADE
List Price: $35.00 CAD $40.00 AVAILABILITY
Not available | TERRITORY
NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Teresa MargollesEssays by Santiago Sierra, Udo Kittelmann, Elmer Mendoza and Gabriela Jauregui.
The work of Mexican artist Teresa Margolles revolves around what is perhaps the last great taboo topic of our time: death. Her approach is even more daring, for she is not interested in folklore and ritual but in the palpable reality of the corpse. “What does a corpse have to go through?” wonders Margolles, who is also a forensic medical assistant and a scholar in the field of communications. Employing a minimalist aesthetic, she transforms extinguished life, rendering it perceptible through artistic intervention, thereby rescuing “her” decedents from anonymous oblivion. This first publication devoted to Margolles' work presents an examination of her place in art history by Gabriela Jauregui, concluding remarks by the Spanish artist Santiago Sierra, and a literary text by the Mexican crime novelist Elmer Mendoza. His short story, written in experimental prose, offers impressions of life in Culiacan, one of the bastions of the narcotics business in Mexico.
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| | | | |  | Silvana EditorialeISBN: 9788836639168
USD $60.00 | CAD $79Pub Date: 4/23/2019
Active | Out of stock
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FORMAT: Hardcover, 6.5 x 9.5 in. / 256 pgs / 40 color / 10 b&w.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9783775714730
PUBLISHER: Hatje Cantz
AVAILABLE: 8/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Teresa Margolles Published by Hatje Cantz.
Essays by Santiago Sierra, Udo Kittelmann, Elmer Mendoza and Gabriela Jauregui. The work of Mexican artist Teresa Margolles revolves around what is perhaps the last great taboo topic of our time: death. Her approach is even more daring, for she is not interested in folklore and ritual but in the palpable reality of the corpse. “What does a corpse have to go through?” wonders Margolles, who is also a forensic medical assistant and a scholar in the field of communications. Employing a minimalist aesthetic, she transforms extinguished life, rendering it perceptible through artistic intervention, thereby rescuing “her” decedents from anonymous oblivion. This first publication devoted to Margolles' work presents an examination of her place in art history by Gabriela Jauregui, concluding remarks by the Spanish artist Santiago Sierra, and a literary text by the Mexican crime novelist Elmer Mendoza. His short story, written in experimental prose, offers impressions of life in Culiacan, one of the bastions of the narcotics business in Mexico.
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