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Hardcover, 12.5 x 11 in. / 120 pgs / 50 color. PUBLISHING STATUS
Pub Date 8/2/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2004 PRODUCT DETAILS
ISBN 9783775714259 TRADE
List Price: $60.00 CAD $70.00 AVAILABILITY
Not available | TERRITORY
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| | | Hans-Christian Schink: Traffic ProjectsEssay by Matthias Flügge.
Empty highway bridges, gigantic concrete pillars, tracks for the Intercity railway--all devoid of humans and bathed in cool winter light. The theme of these striking images captured by Leipzig photographer Hans-Christian Schink is the massive road-and-rail infrastructure program for eastern Germany, projects designed to transform it into “flourishing landscapes.” Schink's photographs map the violent incursions into the surroundings--”monsters of infrastructure,” as the German daily newspaper FAZ aptly put it--as technology has cut and sliced its way through the countryside. All scenes are shown from the pedestrian's perspective, often at points destined to be bursting at the seams with traffic in the not-so-distant future. Yet despite the cool sobriety of these photographs, one also recognizes allusions to the landscape paintings of the Romantic period in images such as a roadbed disappearing into the distant mist.
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| | | | |  | KerberISBN: 9783735604514
USD $85.00 | CAD $112.5Pub Date: 8/28/2018
Active | Out of stock
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FORMAT: Hardcover, 12.5 x 11 in. / 120 pgs / 50 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $70
ISBN: 9783775714259
PUBLISHER: Hatje Cantz
AVAILABLE: 8/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Hans-Christian Schink: Traffic Projects Published by Hatje Cantz.
Essay by Matthias Flügge. Empty highway bridges, gigantic concrete pillars, tracks for the Intercity railway--all devoid of humans and bathed in cool winter light. The theme of these striking images captured by Leipzig photographer Hans-Christian Schink is the massive road-and-rail infrastructure program for eastern Germany, projects designed to transform it into “flourishing landscapes.” Schink's photographs map the violent incursions into the surroundings--”monsters of infrastructure,” as the German daily newspaper FAZ aptly put it--as technology has cut and sliced its way through the countryside. All scenes are shown from the pedestrian's perspective, often at points destined to be bursting at the seams with traffic in the not-so-distant future. Yet despite the cool sobriety of these photographs, one also recognizes allusions to the landscape paintings of the Romantic period in images such as a roadbed disappearing into the distant mist.
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