| | BOOK FORMAT
Hardcover, 8 x 12.5 in. / 160 pgs / 75 color. PUBLISHING STATUS
Pub Date 7/2/2003
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2003 PRODUCT DETAILS
ISBN 9783775713498 TRADE
List Price: $35.00 CAD $40.00 AVAILABILITY
Not available | TERRITORY
NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Daniel Richter: HirnEdited by Alexander Tolnay. Essay by Britta Schmitz.
Daniel Richter is one of those German artists who, in the second half of the 1990s, set off to conquer the international art world. He succeeded in doing so, even though--or perhaps because--this was a time dominated by new media and conceptual space installations. The “end of painting” was proclaimed once more, and yet Richter remained loyal to his medium. And so he has been celebrated as the new “prince of painting,” alongside fellow brush-and-canvas colleagues like Neo Rauch. Up until 2000, Daniel Richter painted abstract pictures exclusively, but his newer works show a surprising turn towards the figurative, blending a sophisticated use of color and composition with grotesque formal elements and art historic quotations. This large-format publication is the first to present Richter's drawings in full-color illustrations.
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| | | | |  | Thaddaeus RopacISBN: 9783901935701
USD $45.00 | CAD $63Pub Date: 5/16/2023
Active | In stock
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|  | Hatje CantzISBN: 9783775750882
USD $95.00 | CAD $130Pub Date: 7/18/2023
Active | In stock
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FORMAT: Hardcover, 8 x 12.5 in. / 160 pgs / 75 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9783775713498
PUBLISHER: Hatje Cantz
AVAILABLE: 7/2/2003
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Daniel Richter: Hirn Published by Hatje Cantz.
Edited by Alexander Tolnay. Essay by Britta Schmitz. Daniel Richter is one of those German artists who, in the second half of the 1990s, set off to conquer the international art world. He succeeded in doing so, even though--or perhaps because--this was a time dominated by new media and conceptual space installations. The “end of painting” was proclaimed once more, and yet Richter remained loyal to his medium. And so he has been celebrated as the new “prince of painting,” alongside fellow brush-and-canvas colleagues like Neo Rauch. Up until 2000, Daniel Richter painted abstract pictures exclusively, but his newer works show a surprising turn towards the figurative, blending a sophisticated use of color and composition with grotesque formal elements and art historic quotations. This large-format publication is the first to present Richter's drawings in full-color illustrations.
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