| | BOOK FORMAT Hardcover, 8.75 x 11 in. / 304 pgs / 48 color / 86 bw PUBLISHING STATUS Pub Date 3/2/2003 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2003 PRODUCT DETAILS ISBN 9783775712118 TRADE List Price: $65.00 CAD $75.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Stephan Von Huene 1962-2000: Catalogue RaisonnéArtwork by Stephan von Huene. Edited by Christoph Brockhaus. Text by H. Bredekamp, W. Kemp, Petra Kipphoff, J. La Barbara, F. Michel, Petra Oelschl‚ger, Martin Warnke.
Presenting Stephan von Huene's oeuvre in its multimediality and infinite diversity of sources and manifestations, two early cycles of drawings are published for the first time alongside material collage paintings and surreal wood and leather sculptures--these can be understood as preludes to his later computer-controlled sound sculptures, which produce their own world of noises and movements.
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FORMAT: Hardcover, 8.75 x 11 in. / 304 pgs / 48 color / 86 b&w LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $75 ISBN: 9783775712118 PUBLISHER: Hatje Cantz AVAILABLE: 3/2/2003 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2003 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Stephan Von Huene 1962-2000: Catalogue Raisonné Published by Hatje Cantz. Artwork by Stephan von Huene. Edited by Christoph Brockhaus. Text by H. Bredekamp, W. Kemp, Petra Kipphoff, J. La Barbara, F. Michel, Petra Oelschl‚ger, Martin Warnke. Presenting Stephan von Huene's oeuvre in its multimediality and infinite diversity of sources and manifestations, two early cycles of drawings are published for the first time alongside material collage paintings and surreal wood and leather sculptures--these can be understood as preludes to his later computer-controlled sound sculptures, which produce their own world of noises and movements.
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