| | BOOK FORMAT Paperback, 6.75 x 9.5 in. / 448 pgs / 282 color / 18 bw. PUBLISHING STATUS Pub Date 3/2/2003 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2003 PRODUCT DETAILS ISBN 9783775712071 TRADE List Price: $30.00 CAD $35.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | UnpluggedArt as the Scene of Global Conflicts, Ars Electronica 2002
Dedicated to the blind spots of globalization, to those mental and geographic barriers beyond which access to and participation in global networking--and the cultural and societal models that come with it--are not feasible, not allowed, or simply not wanted, the catalog for Ars Electronica 2002, the Festival for the Arts, Technology, and Society, features selected texts and exemplary projects pinpointing the vehemence with which the political momentum of art has returned to the agendas of intellectual discourse and the practice of art itself.
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FORMAT: Paperback, 6.75 x 9.5 in. / 448 pgs / 282 color / 18 b&w. LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $35 ISBN: 9783775712071 PUBLISHER: Hatje Cantz AVAILABLE: 3/2/2003 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2003 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Unplugged Art as the Scene of Global Conflicts, Ars Electronica 2002 Published by Hatje Cantz. Dedicated to the blind spots of globalization, to those mental and geographic barriers beyond which access to and participation in global networking--and the cultural and societal models that come with it--are not feasible, not allowed, or simply not wanted, the catalog for Ars Electronica 2002, the Festival for the Arts, Technology, and Society, features selected texts and exemplary projects pinpointing the vehemence with which the political momentum of art has returned to the agendas of intellectual discourse and the practice of art itself.
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