| | BOOK FORMAT Hardcover, 8.25 x 11 in. / 428 pgs / 162 color / 93 bw. PUBLISHING STATUS Pub Date 3/2/2003 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2003 PRODUCT DETAILS ISBN 9783775711913 TRADE List Price: $75.00 CAD $90.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Concrete Art In Europe After 1945Text by Dietmar Gaderian, Serge Lemoine, Hella Nocke-Schrepper, Margit Weinberg-Staber.
Over the past three decades, private collectors Peter and Rosemarie Ruppert have amassed an enormous range of works focused on the definition of concrete art as an aesthetic form that stands only for itself, and not for an abstracted or symbolic representation of the visually perceptible. Taken together, the works serve to illustrate the expansion and development of concrete art throughout Europe from 1945 to the present. The collection, featuring more than 240 works by 171 artists from 22 countries, includes paintings of geometric forms and pure colors by Victor Vasarely, Josef Albers, and Max Bill, early computer art by Manfred Mohr, virtual sculptures by Gerhard Mantz, and recent works of Concrete photography.
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FORMAT: Hardcover, 8.25 x 11 in. / 428 pgs / 162 color / 93 b&w. LIST PRICE: U.S. $75.00 LIST PRICE: CANADA $90 ISBN: 9783775711913 PUBLISHER: Hatje Cantz AVAILABLE: 3/2/2003 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2003 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Concrete Art In Europe After 1945 Published by Hatje Cantz. Text by Dietmar Gaderian, Serge Lemoine, Hella Nocke-Schrepper, Margit Weinberg-Staber. Over the past three decades, private collectors Peter and Rosemarie Ruppert have amassed an enormous range of works focused on the definition of concrete art as an aesthetic form that stands only for itself, and not for an abstracted or symbolic representation of the visually perceptible. Taken together, the works serve to illustrate the expansion and development of concrete art throughout Europe from 1945 to the present. The collection, featuring more than 240 works by 171 artists from 22 countries, includes paintings of geometric forms and pure colors by Victor Vasarely, Josef Albers, and Max Bill, early computer art by Manfred Mohr, virtual sculptures by Gerhard Mantz, and recent works of Concrete photography.
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