| | BOOK FORMAT
Hardcover, 8.25 x 12 in. / 192 pgs / 80 color. PUBLISHING STATUS
Pub Date 8/2/2002
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2002 PRODUCT DETAILS
ISBN 9783775711623 TRADE
List Price: $45.00 CAD $55.00 AVAILABILITY
Not available | TERRITORY
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| | | Karin SanderEdited by Gudrun Inboden. Essays by Friedrich Meschede, Kathrin Elversävamberk and Max Wechsler.
Testing and stretching the definition of conceptual art to its very limits, Karin Sander's site-specific installations blend into their respective contexts so completely that they often lurk on the border of perceptibility. Since 1985, Sander has been minimally intervening into the architecture of the museum and gallery setting, inserting wall pieces and fabric spaces, floor works, viewing boxes, and peepholes that challenge the viewer's role and explore the intersection between art and the public realm. One well-remembered intervention, installed in 1994 at the Museum of Modern Art, New York, found strategically placed circles of Astroturf in the lobby and sculpture garden, and painting-sized squares of wall throughout the building polished to a high-gloss.
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| | | | |  | Moderne Kunst NürnbergISBN: 9783869842356
USD $60.00 | CAD $79Pub Date: 4/30/2012
Active | In stock
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FORMAT: Hardcover, 8.25 x 12 in. / 192 pgs / 80 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9783775711623
PUBLISHER: Hatje Cantz
AVAILABLE: 8/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2002 | PRESS INQUIRIES
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| Karin Sander Published by Hatje Cantz.
Edited by Gudrun Inboden. Essays by Friedrich Meschede, Kathrin Elversävamberk and Max Wechsler. Testing and stretching the definition of conceptual art to its very limits, Karin Sander's site-specific installations blend into their respective contexts so completely that they often lurk on the border of perceptibility. Since 1985, Sander has been minimally intervening into the architecture of the museum and gallery setting, inserting wall pieces and fabric spaces, floor works, viewing boxes, and peepholes that challenge the viewer's role and explore the intersection between art and the public realm. One well-remembered intervention, installed in 1994 at the Museum of Modern Art, New York, found strategically placed circles of Astroturf in the lobby and sculpture garden, and painting-sized squares of wall throughout the building polished to a high-gloss.
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