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| | BOOK FORMAT
Hardcover, 10 x 12 in. / 192 pgs / 134 color / 57 bw. PUBLISHING STATUS
Pub Date 7/2/2000
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2000 PRODUCT DETAILS
ISBN 9783775709163 TRADE
List Price: $70.00 CAD $85.00 AVAILABILITY
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| | | Cy TwomblyThe SculptureArtwork by Cy Twombly. Edited by Christian Klemm. Text by Katharina Schmidt.
One of the essential artists of our time, Cy Twombly is known primarily for his paintings, but his lesser-known sculpture oeuvre is an important dimension of his work as an artist. This large-format publication reveals his extensive body of sculptural work. Inspired by Kurt Schwitters, Giacometti and Surrealist object art, some of his early assemblages date back to the 1950s. These pieces are composed of everyday found objects, which Twombly arranged in the vein of magical or fetishistic objects. Later he began to cover them with a uniform coat of white paint. Thus placed in a new formal context, the original meaning of the individual pieces is blurred, connecting them with a wide range of cultural references. Literature and music, landscape and plantlife are all evoked. Twombly's sculptures are always white, exuding both an odd, ethereal quality and an aura of timeless poetry.
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FORMAT: Hardcover, 10 x 12 in. / 192 pgs / 134 color / 57 b&w.
LIST PRICE: U.S. $70.00
LIST PRICE: CANADA $85
ISBN: 9783775709163
PUBLISHER: Hatje Cantz
AVAILABLE: 7/2/2000
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2000 | PRESS INQUIRIES
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| Cy Twombly
The Sculpture Published by Hatje Cantz.
Artwork by Cy Twombly. Edited by Christian Klemm. Text by Katharina Schmidt. One of the essential artists of our time, Cy Twombly is known primarily for his paintings, but his lesser-known sculpture oeuvre is an important dimension of his work as an artist. This large-format publication reveals his extensive body of sculptural work. Inspired by Kurt Schwitters, Giacometti and Surrealist object art, some of his early assemblages date back to the 1950s. These pieces are composed of everyday found objects, which Twombly arranged in the vein of magical or fetishistic objects. Later he began to cover them with a uniform coat of white paint. Thus placed in a new formal context, the original meaning of the individual pieces is blurred, connecting them with a wide range of cultural references. Literature and music, landscape and plantlife are all evoked. Twombly's sculptures are always white, exuding both an odd, ethereal quality and an aura of timeless poetry.
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