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| | BOOK FORMAT Paperback, 6.75 x 9.5 in. / 152 pgs / 80 color. PUBLISHING STATUS Pub Date 3/1/2007 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2007 p. 54 PRODUCT DETAILS ISBN 9782830602333 TRADE List Price: $36.00 CAD $45.00 AVAILABILITY Not available | TERRITORY NA LA ASIA AU/NZ AFR | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Henri Matisse: Traits EssentielsMonotypes 1906-1952Text by Christophe Cherix, Mayte Julliard.
If painting was for Matisse the expression of a "state of condensed sensations," his engravings consisted of "Traits Essentiels" or "essential lines:" they were recordings of a single sensation, and rarely passed through any series of stages or reworkings. In fact, engraving was a refuge. Marguerite Duthuit-Matisse, co-author of a catalogue raisonné of her father's prints, describes the graphic work he often executed at the end of a painting session as an "agreeable conclusion." After several experiments with drypoint, Matisse turned toward woodcut in 1906 (and gave it up almost immediately), then worked simultaneously in monotype and etching, where he achieved an astonishing tension between surface and line. Later, he turned to linocut and to sugarlift aquatint. It is on these projects that the selection in Traits Essentiels focuses: Lithography, which Matisse practiced from 1906 to 1952, and with which he was less experimental, is excluded. Text in French only.
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FORMAT: Paperback, 6.75 x 9.5 in. / 152 pgs / 80 color. LIST PRICE: U.S. $36.00 LIST PRICE: CANADA $45 ISBN: 9782830602333 PUBLISHER: Walther König, Köln AVAILABLE: 3/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: SPRING 2007 Page 54 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Henri Matisse: Traits Essentiels Monotypes 1906-1952 Published by Walther König, Köln. Text by Christophe Cherix, Mayte Julliard. If painting was for Matisse the expression of a "state of condensed sensations," his engravings consisted of "Traits Essentiels" or "essential lines:" they were recordings of a single sensation, and rarely passed through any series of stages or reworkings. In fact, engraving was a refuge. Marguerite Duthuit-Matisse, co-author of a catalogue raisonné of her father's prints, describes the graphic work he often executed at the end of a painting session as an "agreeable conclusion." After several experiments with drypoint, Matisse turned toward woodcut in 1906 (and gave it up almost immediately), then worked simultaneously in monotype and etching, where he achieved an astonishing tension between surface and line. Later, he turned to linocut and to sugarlift aquatint. It is on these projects that the selection in Traits Essentiels focuses: Lithography, which Matisse practiced from 1906 to 1952, and with which he was less experimental, is excluded. Text in French only.
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