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| | BOOK FORMAT
Hardcover, 9.75 x 10.25 in. / 64 pgs / 55 tritone. PUBLISHING STATUS
Pub Date 10/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2006 p. 14 PRODUCT DETAILS
ISBN 9781933045320 TRADE
List Price: $45.00 CAD $55.00 AVAILABILITY
Not available | TERRITORY
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| | | Lee Friedlander: Apples & OlivesPhotographs by Lee Friedlander.
The master photographer best known for his extensive, insightful documentation of "the American social landscape"--from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards--has recently been spending more time looking at the literal, natural landscape. His monumental 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American West, while for Olives and Apples, he has looked back over the last decade's work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree's furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer.
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FORMAT: Hardcover, 9.75 x 10.25 in. / 64 pgs / 55 tritone.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9781933045320
PUBLISHER: Fraenkel Gallery/Hasselblad Foundation
AVAILABLE: 10/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: *not available | D.A.P. CATALOG: SPRING 2006 Page 14 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Lee Friedlander: Apples & Olives Published by Fraenkel Gallery/Hasselblad Foundation.
Photographs by Lee Friedlander. The master photographer best known for his extensive, insightful documentation of "the American social landscape"--from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards--has recently been spending more time looking at the literal, natural landscape. His monumental 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American West, while for Olives and Apples, he has looked back over the last decade's work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree's furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer.
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