| | PUBLISHER
Center for Curatorial Studies, Bard CollegeBOOK FORMAT
Paperback, 11 x 9.5 in. / 80 pgs / 24 color PUBLISHING STATUS
Pub Date 11/2/2002
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2002 PRODUCT DETAILS
ISBN 9781931493017 TRADE
List Price: $24.95 CAD $27.50 AVAILABILITY
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| | | CENTER FOR CURATORIAL STUDIES, BARD COLLEGESarah SzeEssays by Elizabeth A.T. Smith, Douglas Rushkoff. Introduction and interview by Amada Cruz.
Sarah Sze inhabits architectural spaces with a spider-like thoroughness and ingenuity, weaving fragile webs of glue threads and matchsticks around junctures of commercially-bought ephemera: Q-tips, plastic flowers, beads and baskets, paper goods, and mini-video projectors. She infiltrates every crevice and corner and explodes off of walls with a construction always spontaneously, intuitively responsive to its given environment. This catalogue documents and contextualizes the recent departure from closed environments that Sze took in creating an outdoor project at Bard College in upstate New York, a move which necessitated a subtle shift to materials which could withstand the elements. Sze has said that the exhibition space becomes a studio during her installations; here, her studio is a meadow.
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FORMAT: Paperback, 11 x 9.5 in. / 80 pgs / 24 color
LIST PRICE: U.S. $24.95
LIST PRICE: CANADA $27.5
ISBN: 9781931493017
PUBLISHER: Center for Curatorial Studies, Bard College
AVAILABLE: 11/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Sarah Sze Published by Center for Curatorial Studies, Bard College.
Essays by Elizabeth A.T. Smith, Douglas Rushkoff. Introduction and interview by Amada Cruz. Sarah Sze inhabits architectural spaces with a spider-like thoroughness and ingenuity, weaving fragile webs of glue threads and matchsticks around junctures of commercially-bought ephemera: Q-tips, plastic flowers, beads and baskets, paper goods, and mini-video projectors. She infiltrates every crevice and corner and explodes off of walls with a construction always spontaneously, intuitively responsive to its given environment. This catalogue documents and contextualizes the recent departure from closed environments that Sze took in creating an outdoor project at Bard College in upstate New York, a move which necessitated a subtle shift to materials which could withstand the elements. Sze has said that the exhibition space becomes a studio during her installations; here, her studio is a meadow.
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