| | BOOK FORMAT Hardcover, 10.5 x 10.5 in. / 120 pgs / 55 color PUBLISHING STATUS Pub Date 11/2/2001 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2001 PRODUCT DETAILS ISBN 9781891024313 TRADE List Price: $39.95 CAD $50.00 AVAILABILITY Not available | TERRITORY *not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Ellen GallagherEdited by Jessica Morgan. Essays by Robert Storr and Greg Tate. Interview by Jessica Morgan. Foreword by Jill Medvedow.
Ellen Gallagher has emerged as one of the most acclaimed young artists in the United States over the past decade, and this book will be the first to present a significant body of recent work in one volume. Gallagher inflects the surface of her layered drawings and paintings with unique irony and wit. They refer obliquely to a history of African American stereotypes through minute interventions on the canvas: tongues, eyes, wigs, and lips appear like individual musical notes. Their lack of fully formed bodies underlines the manner in which these stereotypical images were used: appearing as disembodied parts in advertisements, toys, and other products of the popular culture. It is through repetition of this limited vocabulary of signs that meanings are established and transformed in Gallagher's work. The large-scale paintings in the exhibition and this accompanying book explore her personal iconography of forms. Included will be Gallagher's recent all-black paintings as well as a carefully selected group of drawings from the artist's own collection. In addition, it features an extensive interview with the artist, for which she has executed several drawings specifically to illustrate this section, as well as critical essays on the work.
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| | | | | | Mousse PublishingISBN: 9788867495092 USD $40.00 | CAD $55Pub Date: 1/24/2023 Active | Out of stock
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| | Walther König, KölnISBN: 9783960986348 USD $69.95 | CAD $97.95Pub Date: 4/14/2020 Active | In stock
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| | Hauser & Wirth PublishersISBN: 9783906915104 USD $40.00 | CAD $54Pub Date: 1/23/2018 Active | In stock
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FORMAT: Hardcover, 10.5 x 10.5 in. / 120 pgs / 55 color LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $50 ISBN: 9781891024313 PUBLISHER: D.A.P./ICA Boston AVAILABLE: 11/2/2001 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: *not available | D.A.P. CATALOG: FALL 2001 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Ellen Gallagher Published by D.A.P./ICA Boston. Edited by Jessica Morgan. Essays by Robert Storr and Greg Tate. Interview by Jessica Morgan. Foreword by Jill Medvedow. Ellen Gallagher has emerged as one of the most acclaimed young artists in the United States over the past decade, and this book will be the first to present a significant body of recent work in one volume. Gallagher inflects the surface of her layered drawings and paintings with unique irony and wit. They refer obliquely to a history of African American stereotypes through minute interventions on the canvas: tongues, eyes, wigs, and lips appear like individual musical notes. Their lack of fully formed bodies underlines the manner in which these stereotypical images were used: appearing as disembodied parts in advertisements, toys, and other products of the popular culture. It is through repetition of this limited vocabulary of signs that meanings are established and transformed in Gallagher's work. The large-scale paintings in the exhibition and this accompanying book explore her personal iconography of forms. Included will be Gallagher's recent all-black paintings as well as a carefully selected group of drawings from the artist's own collection. In addition, it features an extensive interview with the artist, for which she has executed several drawings specifically to illustrate this section, as well as critical essays on the work.
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