| | PUBLISHER Gagosian GalleryBOOK FORMAT Hardcover, 12.25 x 12.25 in. / 60 pgs / 18 color / 24 bw. PUBLISHING STATUS Pub Date 7/2/2002 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2002 PRODUCT DETAILS ISBN 9781880154625 TRADE List Price: $40.00 CAD $50.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | GAGOSIAN GALLERYRoy Lichtenstein: Early Black And White PaintingsEssays by Robert Rosenblum and Frederic Tuten.
A key figure in the Pop art movement, Roy Lichtenstein was inspired by images from comic books, newspaper advertisements and mail order catalogues, cheaply printed images whose look was as far from official "art" as one could imagine. With their simplified hand-drawn lines, they were also about as clarified as image-making can get. In response to the dumb beauty of pulp imagery and the strange powers of black and white images to stimulate our eyes, Lichtenstein made some of his most essential, enduring paintings. The apparently simple paintings of single objects--a tire, a curtain, a sock, a diamond brooch, a golf ball--project riveting clarity and an astonishing newness that are the bedrock of his art, and of Pop art itself.
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FORMAT: Hardcover, 12.25 x 12.25 in. / 60 pgs / 18 color / 24 b&w. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $50 ISBN: 9781880154625 PUBLISHER: Gagosian Gallery AVAILABLE: 7/2/2002 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: FALL 2002 | PRESS INQUIRIES
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| Roy Lichtenstein: Early Black And White Paintings Published by Gagosian Gallery. Essays by Robert Rosenblum and Frederic Tuten. A key figure in the Pop art movement, Roy Lichtenstein was inspired by images from comic books, newspaper advertisements and mail order catalogues, cheaply printed images whose look was as far from official "art" as one could imagine. With their simplified hand-drawn lines, they were also about as clarified as image-making can get. In response to the dumb beauty of pulp imagery and the strange powers of black and white images to stimulate our eyes, Lichtenstein made some of his most essential, enduring paintings. The apparently simple paintings of single objects--a tire, a curtain, a sock, a diamond brooch, a golf ball--project riveting clarity and an astonishing newness that are the bedrock of his art, and of Pop art itself.
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