| | BOOK FORMAT
Hardback, 10.75 x 11 in. / 100 pgs / 7 bw reproductions. PUBLISHING STATUS
Pub Date 6/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2005 p. 84 PRODUCT DETAILS
ISBN 9781880146453 TRADE
List Price: $50.00 CAD $60.00 AVAILABILITY
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| | | Peter Hujar: NightEssay by Bob Nickas.
In the tradition of Brassaļ's Paris at Night, Peter Hujar's Night brings together 43 hauntingly beautiful images of New York City. These pictures--most published here for the first time--illuminate a New York that has all but disappeared, one populated by the late-night demimonde, crumbling cobblestone streets, and landfills before the coming of Battery Park. Photographing costumed Halloween partygoers, dilapidated domestic interiors, cruisy city parks and trash-strewn parking lots, Hujar has left behind his own unique record of New York streets and their denizens, one as indelible as that of Weegee or Berenice Abbott. In a time before AIDS and a downtown before gentrification, Hujar's sometimes playful, often bleak photographs have an underlying sadness that is bound in the palpable mortality of his subjects, from revelers to decaying urban landscapes, all wrapped in a velvety blackness broken only by street lamps, fluorescent office windows and his camera's flash.
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| | | | |  | Fraenkel GalleryISBN: 9781881337232
USD $65.00 | CAD $90 UK £ 57Pub Date: 11/29/2022
Active | In stock
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FORMAT: Hardback, 10.75 x 11 in. / 100 pgs / 7 b&w reproductions.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9781880146453
PUBLISHER: Matthew Marks Gallery/Fraenkel Gallery
AVAILABLE: 6/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Peter Hujar: Night Published by Matthew Marks Gallery/Fraenkel Gallery.
Essay by Bob Nickas. In the tradition of Brassaļ's Paris at Night, Peter Hujar's Night brings together 43 hauntingly beautiful images of New York City. These pictures--most published here for the first time--illuminate a New York that has all but disappeared, one populated by the late-night demimonde, crumbling cobblestone streets, and landfills before the coming of Battery Park. Photographing costumed Halloween partygoers, dilapidated domestic interiors, cruisy city parks and trash-strewn parking lots, Hujar has left behind his own unique record of New York streets and their denizens, one as indelible as that of Weegee or Berenice Abbott. In a time before AIDS and a downtown before gentrification, Hujar's sometimes playful, often bleak photographs have an underlying sadness that is bound in the palpable mortality of his subjects, from revelers to decaying urban landscapes, all wrapped in a velvety blackness broken only by street lamps, fluorescent office windows and his camera's flash.
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