| | PUBLISHER
Chambers Fine ArtBOOK FORMAT
Paperback, 8.25 x 11 in. / 112 pgs / 210 color. PUBLISHING STATUS
Pub Date 11/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2005 p. 152 PRODUCT DETAILS
ISBN 9780971922952 TRADE
List Price: $55.00 CAD $65.00 AVAILABILITY
Not available | TERRITORY
NA ME | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | CHAMBERS FINE ARTLu Shengzhong: The Book Of HumanityEdited by Christophe Mao.
The Chinese folk art of paper-cutting is ancient, but Lu Shengzhong's artistic practice, which employs it, is thoroughly modern. His signature Little Red Figure, a slightly devious-looking splayed personage, is as distinctive as a Haring graffiti man, and in Lu's installations, just as ubiquitous. The artist fills a room with the individually replicated form, which seems at once both whimsical and frightening. This catalogue of an exhibition at Chambers Fine Art in New York is a work of art itself, featuring a red paper cover embossed with scissors and one of the red figures. Inside, studio shots reveal Lu Shengzhong's involved work process, and pages from his cutout books are reproduced. This bridge between ancient and contemporary Chinese art is essential for fans of both.
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FORMAT: Paperback, 8.25 x 11 in. / 112 pgs / 210 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9780971922952
PUBLISHER: Chambers Fine Art
AVAILABLE: 11/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA ME | D.A.P. CATALOG: FALL 2005 Page 152 | PRESS INQUIRIES
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| Lu Shengzhong: The Book Of Humanity Published by Chambers Fine Art.
Edited by Christophe Mao. The Chinese folk art of paper-cutting is ancient, but Lu Shengzhong's artistic practice, which employs it, is thoroughly modern. His signature Little Red Figure, a slightly devious-looking splayed personage, is as distinctive as a Haring graffiti man, and in Lu's installations, just as ubiquitous. The artist fills a room with the individually replicated form, which seems at once both whimsical and frightening. This catalogue of an exhibition at Chambers Fine Art in New York is a work of art itself, featuring a red paper cover embossed with scissors and one of the red figures. Inside, studio shots reveal Lu Shengzhong's involved work process, and pages from his cutout books are reproduced. This bridge between ancient and contemporary Chinese art is essential for fans of both.
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