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| | BOOK FORMAT Hardcover, 10.75 x 10 in. / 72 pgs / 30 color / 11 bw. PUBLISHING STATUS Pub Date 2/2/2002 Out of stock indefinitely DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2002 PRODUCT DETAILS ISBN 9780966076998 TRADE List Price: $25.00 CAD $34.50 GBP £22.00 AVAILABILITY Not available | TERRITORY WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Tony Smith: Paintings And Sculpture, 1960-1965Essay by Richard Tuttle.
While teaching at the Pratt Institute of Art, New York and at Bennington College, Vermont in the late 50s and early 60s, Tony Smith turned his attention toward the development of a geometric language expressed through sculpture. During the same time, his most creative period, he translated this language into two dimensions, using painting as a medium for the interplay between space and form. Many of the paintings included herein have never before been published. Richard Tuttle, once an assistant to Smith, offers an insider's view into the late artist's work.
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| | STATUS: Out of stock indefinitely. | |
| | | | | Mitchell-Innes & NashISBN: 9780971384477 USD $25.00 | CAD $34.5 UK £ 22Pub Date: 7/2/2003 Active | In stock
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FORMAT: Hardcover, 10.75 x 10 in. / 72 pgs / 30 color / 11 b&w. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.5 GBP £22.00 ISBN: 9780966076998 PUBLISHER: Mitchell-Innes & Nash AVAILABLE: 2/2/2002 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2002 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Tony Smith: Paintings And Sculpture, 1960-1965 Published by Mitchell-Innes & Nash. Essay by Richard Tuttle. While teaching at the Pratt Institute of Art, New York and at Bennington College, Vermont in the late 50s and early 60s, Tony Smith turned his attention toward the development of a geometric language expressed through sculpture. During the same time, his most creative period, he translated this language into two dimensions, using painting as a medium for the interplay between space and form. Many of the paintings included herein have never before been published. Richard Tuttle, once an assistant to Smith, offers an insider's view into the late artist's work.
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