| | PUBLISHER
Pennsylvania Academy of the Fine ArtsBOOK FORMAT
Paperback, 8.5 x 11 in. / 80 pgs / 100 color. PUBLISHING STATUS
Pub Date 2/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 166 PRODUCT DETAILS
ISBN 9780943836294 TRADE
List Price: $19.95 CAD $25.00 AVAILABILITY
Not available | TERRITORY
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| | | PENNSYLVANIA ACADEMY OF THE FINE ARTSArt in Chicago: Resisting Regionalism, Transforming ModernismText by Robert Cozzolino.
Chicago is known as a center of innovation in architecture, literature and music, but Art in Chicago is the first broad overview of its twentieth-century fine art. It focuses on three distinct but overlapping generations of Modernists between 1913 and 1985--not just postwar artists such as Leon Golub and June Leaf, or later stars like Ed Paschke and Jim Nutt and the 1960s Hairy Who--not any one clique, but the links between them. Through the decades, Chicago's art world has had a predilection for variety and the authenticity of personal vision, which it consistently privileges over the emulation of trends or established styles. Art in Chicago places this penchant within the context of the larger culture of Modernism, and examines both a cradle of artistic excellence and the issue of "regionalism" in Modern art and criticism. With illustrations of historically important paintings, some reproduced for the first time.
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FORMAT: Paperback, 8.5 x 11 in. / 80 pgs / 100 color.
LIST PRICE: U.S. $19.95
LIST PRICE: CANADA $25
ISBN: 9780943836294
PUBLISHER: Pennsylvania Academy of the Fine Arts
AVAILABLE: 2/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2007 Page 166 | PRESS INQUIRIES
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| Art in Chicago: Resisting Regionalism, Transforming Modernism Published by Pennsylvania Academy of the Fine Arts.
Text by Robert Cozzolino. Chicago is known as a center of innovation in architecture, literature and music, but Art in Chicago is the first broad overview of its twentieth-century fine art. It focuses on three distinct but overlapping generations of Modernists between 1913 and 1985--not just postwar artists such as Leon Golub and June Leaf, or later stars like Ed Paschke and Jim Nutt and the 1960s Hairy Who--not any one clique, but the links between them. Through the decades, Chicago's art world has had a predilection for variety and the authenticity of personal vision, which it consistently privileges over the emulation of trends or established styles. Art in Chicago places this penchant within the context of the larger culture of Modernism, and examines both a cradle of artistic excellence and the issue of "regionalism" in Modern art and criticism. With illustrations of historically important paintings, some reproduced for the first time.
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