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| | BOOK FORMAT
Paperback, 8.25 x 11 in. / 126 pgs / 94 bw PUBLISHING STATUS
Pub Date 7/2/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2004 PRODUCT DETAILS
ISBN 9780942324204 TRADE
List Price: $25.00 CAD $30.00 AVAILABILITY
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WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Giuseppe Penone: The Imprint Of DrawingEdited by Catherine de Zegher. Essays by Michael Newman, Briony Fer, Ruggero Penone, and Kathryn A. Tuma.
The artists of the Italian Arte Povera movement took as their common goals the use of simple, humble materials; an appreciation of the processes of daily life; and the blurring of the boundaries between art and nature. Giuseppe Penone, the youngest member of the group, which began in the 60s, explores these principles primarily through the act of drawing. Penone's poetic and indexical approach to this simple act finds him extending his fingerprint through hundreds of lines painstakingly handrawn in concentric rings, millimeter by millimeter. Or enlarging the lines of his forehead and eyelids in related gestures and techniques. The Imprint of Drawing examines large- and small-scale works created over the past 25 years, accompanied by essays and an interview with the artist by The Drawing Center Director Catherine de Zegher.
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| | | | |  | Whitechapel GalleryISBN: 9780854882106
USD $49.95 | CAD $67.5Pub Date: 12/31/2013
Active | Out of stock
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FORMAT: Paperback, 8.25 x 11 in. / 126 pgs / 94 b&w
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $30
ISBN: 9780942324204
PUBLISHER: The Drawing Center
AVAILABLE: 7/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Giuseppe Penone: The Imprint Of Drawing Published by The Drawing Center.
Edited by Catherine de Zegher. Essays by Michael Newman, Briony Fer, Ruggero Penone, and Kathryn A. Tuma. The artists of the Italian Arte Povera movement took as their common goals the use of simple, humble materials; an appreciation of the processes of daily life; and the blurring of the boundaries between art and nature. Giuseppe Penone, the youngest member of the group, which began in the 60s, explores these principles primarily through the act of drawing. Penone's poetic and indexical approach to this simple act finds him extending his fingerprint through hundreds of lines painstakingly handrawn in concentric rings, millimeter by millimeter. Or enlarging the lines of his forehead and eyelids in related gestures and techniques. The Imprint of Drawing examines large- and small-scale works created over the past 25 years, accompanied by essays and an interview with the artist by The Drawing Center Director Catherine de Zegher.
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