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San Diego Museum of ArtBOOK FORMAT
Paperback, 10 x 10 in. / 184 pgs / 165 color / 30 bw. PUBLISHING STATUS
Pub Date 11/2/2004
Out of print DISTRIBUTION
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Catalog: FALL 2004 PRODUCT DETAILS
ISBN 9780937108338 TRADE
List Price: $35.00 CAD $40.00 AVAILABILITY
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| | | SAN DIEGO MUSEUM OF ARTPast In ReverseContemporary Art of East AsiaEdited by Betti-Sue Hertz. Essays by Midori Matsui, Betti-Sue Hertz, Li Xianting, Taehi Kang and Zhang Zhaohui.
Past in Reverse: Contemporary Art of East Asia features 22 artists and artist groups from Mainland China, Taiwan, Hong Kong, Japan and Korea. As strategies for incorporating cultural and artistic genealogies in their work, these practitioners variously access traditional materials and techniques, established philosophical underpinnings and behaviors surrounding the production and use of material culture. The region's cultural hybridization is asserted in their declaration that East and West are not separate and that the one is embedded in the other. Art historical interdependencies within the region, in relationship to current systems of global connectivity, supply a dynamic framework for understanding these works of art.
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FORMAT: Paperback, 10 x 10 in. / 184 pgs / 165 color / 30 b&w.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9780937108338
PUBLISHER: San Diego Museum of Art
AVAILABLE: 11/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: *not available | D.A.P. CATALOG: FALL 2004 | PRESS INQUIRIES
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| Past In Reverse
Contemporary Art of East Asia Published by San Diego Museum of Art.
Edited by Betti-Sue Hertz. Essays by Midori Matsui, Betti-Sue Hertz, Li Xianting, Taehi Kang and Zhang Zhaohui. Past in Reverse: Contemporary Art of East Asia features 22 artists and artist groups from Mainland China, Taiwan, Hong Kong, Japan and Korea. As strategies for incorporating cultural and artistic genealogies in their work, these practitioners variously access traditional materials and techniques, established philosophical underpinnings and behaviors surrounding the production and use of material culture. The region's cultural hybridization is asserted in their declaration that East and West are not separate and that the one is embedded in the other. Art historical interdependencies within the region, in relationship to current systems of global connectivity, supply a dynamic framework for understanding these works of art.
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