| | PUBLISHER
BOOK FORMAT
Hardcover, 8 x 10.5 in. / 72 pgs / 31 color / 3 bw. PUBLISHING STATUS
Pub Date 6/15/2004
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2005 p. 147 PRODUCT DETAILS
ISBN 9780935875225 TRADE
List Price: $85.00 CAD $112.50 GBP £75.00 AVAILABILITY
Not available | TERRITORY
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| | | Robert Ryman: Works On Paper 1957-1964Essay by Peter Blum.
The works in this exhibition catalogue record the time when Robert Ryman, then in his early twenties, was formulating his disciplined approach to painting. On off-white and translucent materials including wallpaper, a circular coffee filter, newsprint and mylar, Ryman drew, tooled, brushed and pressed his marks using a flat table to support the work. His decision to use the square as a consistent format for non-narrative work was set, and while he sporadically used color in these earliest works, he subsequently chose white almost exclusively in the process of eliminating all that was superfluous to a painting.
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|  | STATUS: Out of stock indefinitely. | |
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FORMAT: Hardcover, 8 x 10.5 in. / 72 pgs / 31 color / 3 b&w.
LIST PRICE: U.S. $85.00
LIST PRICE: CANADA $112.5
GBP £75.00
ISBN: 9780935875225
PUBLISHER: Peter Blum Edition, New York
AVAILABLE: 6/15/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
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| Robert Ryman: Works On Paper 1957-1964 Published by Peter Blum Edition, New York.
Essay by Peter Blum. The works in this exhibition catalogue record the time when Robert Ryman, then in his early twenties, was formulating his disciplined approach to painting. On off-white and translucent materials including wallpaper, a circular coffee filter, newsprint and mylar, Ryman drew, tooled, brushed and pressed his marks using a flat table to support the work. His decision to use the square as a consistent format for non-narrative work was set, and while he sporadically used color in these earliest works, he subsequently chose white almost exclusively in the process of eliminating all that was superfluous to a painting.
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