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| | BOOK FORMAT
Hardcover, 9 x 11.5 in. / 152 pgs / 100 color / 50 bw. PUBLISHING STATUS
Pub Date 8/15/2005
Out of print DISTRIBUTION
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Catalog: FALL 2005 p. 12 PRODUCT DETAILS
ISBN 9780935640809 TRADE
List Price: $34.95 CAD $40.00 AVAILABILITY
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WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Chuck Close: Self-Portraits 1967-2005Essays by Siri Engberg, Madeleine Grynsztejn and Douglas R. Nickel. Foreword by Kathy Halbreich and Neal Benezra.
A celebrated, popular and influential figure in American art, Chuck Close has focused exclusively, and with great innovation, on the genre of portraiture. This exhibition, co-organized by the San Francisco Museum of Modern Art and the Walker Art Center in Minneapolis, explores the artist's work in self-portraiture over four decades and across a variety of media, including painting, drawing, photography, collage, and printmaking. The first comprehensive museum survey of Close's self-portraits, the exhibition and its accompanying publication offer a fascinating glimpse of an artist's self-examination and evolution over time and elucidate his unbounded, process-driven experimentation with media and techniques. Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink-jet prints; from the subtle tonalities of gray-scale paintings and drawings to the exuberance of an 111-color screenprint. When Close unleashes his imagination on his own visage, this familiar figure is at his most revealing.
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| | | | |  | Pace PublishingISBN: 9781948701709
USD $40.00 | CAD $58 UK £ 35Pub Date: 8/6/2024
Active | In stock
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|  | Silvana EditorialeISBN: 9788836645022
USD $30.00 | CAD $42Pub Date: 3/17/2020
Active | In stock
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|  | Little SteidlISBN: 9783865214928
USD $150.00 | CAD $200Pub Date: 6/30/2010
Active | Out of stock
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FORMAT: Hardcover, 9 x 11.5 in. / 152 pgs / 100 color / 50 b&w.
LIST PRICE: U.S. $34.95
LIST PRICE: CANADA $40
ISBN: 9780935640809
PUBLISHER: Walker Art Center/San Francisco Museum of Modern Art
AVAILABLE: 8/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: FALL 2005 Page 12 | PRESS INQUIRIES
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| Chuck Close: Self-Portraits 1967-2005 Published by Walker Art Center/San Francisco Museum of Modern Art.
Essays by Siri Engberg, Madeleine Grynsztejn and Douglas R. Nickel. Foreword by Kathy Halbreich and Neal Benezra. A celebrated, popular and influential figure in American art, Chuck Close has focused exclusively, and with great innovation, on the genre of portraiture. This exhibition, co-organized by the San Francisco Museum of Modern Art and the Walker Art Center in Minneapolis, explores the artist's work in self-portraiture over four decades and across a variety of media, including painting, drawing, photography, collage, and printmaking. The first comprehensive museum survey of Close's self-portraits, the exhibition and its accompanying publication offer a fascinating glimpse of an artist's self-examination and evolution over time and elucidate his unbounded, process-driven experimentation with media and techniques. Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink-jet prints; from the subtle tonalities of gray-scale paintings and drawings to the exuberance of an 111-color screenprint. When Close unleashes his imagination on his own visage, this familiar figure is at his most revealing.
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