| | PUBLISHER
Marlborough GalleryBOOK FORMAT
Paperback, 9.75 x 11.75 in. / 110 pgs / 110 color / 34 bw / 31 duotone. PUBLISHING STATUS
Pub Date 1/1/2006
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2006 p. 105 PRODUCT DETAILS
ISBN 9780897972802 TRADE
List Price: $45.00 CAD $55.00 AVAILABILITY
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| | | MARLBOROUGH GALLERYLarry Rivers: Painting and Drawings, 1951-2001Edited by Janis Gardner Cecil. Foreword by John Duyck. Introduction by Pierre Levai. Interview by David Joel.
The photographs that fill the endpapers of this 50-year retrospective show Larry Rivers between takes of Pull My Daisy with Jack Kerouac and Allen Ginsberg; then leaning against a car with a Speedo-wearing Frank O'Hara; posing thoughtfully with Kenneth Koch; and playing sax at the Blue Bird. Facsimiles of creased and dog-eared review clippings include midcentury New York Times, Herald Tribune and ArtNews raves, and a 1997 Times piece crediting Rivers with bringing back "handmade" art. A soft-edged aesthetic permeates his work, never contradicting the symmetry and glamour that led to the burst of late twentieth century and early twenty-first century high-fashion illustration that closes the book.
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FORMAT: Paperback, 9.75 x 11.75 in. / 110 pgs / 110 color / 34 b&w / 31 duotone.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9780897972802
PUBLISHER: Marlborough Gallery
AVAILABLE: 1/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2006 Page 105 | PRESS INQUIRIES
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| Larry Rivers: Painting and Drawings, 1951-2001 Published by Marlborough Gallery.
Edited by Janis Gardner Cecil. Foreword by John Duyck. Introduction by Pierre Levai. Interview by David Joel. The photographs that fill the endpapers of this 50-year retrospective show Larry Rivers between takes of Pull My Daisy with Jack Kerouac and Allen Ginsberg; then leaning against a car with a Speedo-wearing Frank O'Hara; posing thoughtfully with Kenneth Koch; and playing sax at the Blue Bird. Facsimiles of creased and dog-eared review clippings include midcentury New York Times, Herald Tribune and ArtNews raves, and a 1997 Times piece crediting Rivers with bringing back "handmade" art. A soft-edged aesthetic permeates his work, never contradicting the symmetry and glamour that led to the burst of late twentieth century and early twenty-first century high-fashion illustration that closes the book.
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