| | BOOK FORMAT
Hardcover, 10.75 x 8.5 in. / 128 pgs / 97 color. PUBLISHING STATUS
Pub Date 1/1/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2006 p. 111 PRODUCT DETAILS
ISBN 9780892073399 TRADE
List Price: $45.00 CAD $55.00 AVAILABILITY
Not available | TERRITORY
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| | | William Kentridge: Black Box/Chambre NoireEssays by Maria-Christina Villase“or and William Kentridge.
In the course of designing his recent production of Mozart's The Magic Flute, artist and animated filmmaker William Kentridge created a mechanized theater maquette. When he saw the miniature stage's potential as sculpture, projection site, and installation, he began to imagine Black Box, the freestanding structure whose development and installation are documented here. A movement-filled, visually charged piece, it is peopled with two-dimensional mechanical figures, completed with scenic elements and lit by flickering video. A digital projector displays animated films created from Kentridge's charcoal drawings and sculptures. Kentridge considers his title term in three senses: a "black box" theater, a "chambre noire" as it relates to photography, and a "black box" flight data recorder, as used in airline disasters. The clandestine fourth reference may be to his ongoing exploration of German history and its convergence with South African history through Namibia, a former German colony that came under South African control prior to gaining its independence. Black Box evokes all that, and the joyful mechanics of pre-cinematic visual spectacles, magic lanterns, the camera obscura and the zoetrope. A unique and richly layered meditation on the act of seeing, on vision and experience, and on the nature of knowledge itself.
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FORMAT: Hardcover, 10.75 x 8.5 in. / 128 pgs / 97 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9780892073399
PUBLISHER: Guggenheim Museum Publications
AVAILABLE: 1/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2006 Page 111 | PRESS INQUIRIES
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| William Kentridge: Black Box/Chambre Noire Published by Guggenheim Museum Publications.
Essays by Maria-Christina Villase“or and William Kentridge. In the course of designing his recent production of Mozart's The Magic Flute, artist and animated filmmaker William Kentridge created a mechanized theater maquette. When he saw the miniature stage's potential as sculpture, projection site, and installation, he began to imagine Black Box, the freestanding structure whose development and installation are documented here. A movement-filled, visually charged piece, it is peopled with two-dimensional mechanical figures, completed with scenic elements and lit by flickering video. A digital projector displays animated films created from Kentridge's charcoal drawings and sculptures. Kentridge considers his title term in three senses: a "black box" theater, a "chambre noire" as it relates to photography, and a "black box" flight data recorder, as used in airline disasters. The clandestine fourth reference may be to his ongoing exploration of German history and its convergence with South African history through Namibia, a former German colony that came under South African control prior to gaining its independence. Black Box evokes all that, and the joyful mechanics of pre-cinematic visual spectacles, magic lanterns, the camera obscura and the zoetrope. A unique and richly layered meditation on the act of seeing, on vision and experience, and on the nature of knowledge itself.
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