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| | PUBLISHER
Philadelphia Museum of ArtBOOK FORMAT
Paperback, 9 x 12 in. / 56 pgs / 59 duotone PUBLISHING STATUS
Pub Date 6/2/2001
No longer our product DISTRIBUTION
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Catalog: FALL 2001 PRODUCT DETAILS
ISBN 9780876331507 TRADE
List Price: $20.00 CAD $25.00 AVAILABILITY
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| | | PHILADELPHIA MUSEUM OF ARTElemental Landscapes: Photographs By Harry CallahanEssay by Katherine Ware. Foreword by Anne d'Harnoncourt.
Elemental Landscapes accompanies an exhibition at the Philadelphia Museum of Art that concentrates exclusively on the landscape photographs of the late American photographer Harry Callahan. The natural landscape was a subject that occupied Callahan throughout his career, and examples range in time from the early 1940s to the early 1990s, providing an in-depth look at the artist's evolution. Callahan was fascinated not by the wide, sweeping landscapes of photographers like Ansel Adams but by more intimate pictures, which often remove the context of earth and sky from the scene, creating abstractions that challenge our notions of landscape by presenting a small slice of the world in all its infinite detail.
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| | | | |  | Actes Sud/Maison européenne de la photographieISBN: 9782330068318
USD $35.00 | CAD $47.5 UK £ 30Pub Date: 6/27/2017
Active | In stock
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|  | SteidlISBN: 9783869301402
USD $40.00 | CAD $54Pub Date: 7/15/2012
Active | In stock
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FORMAT: Paperback, 9 x 12 in. / 56 pgs / 59 duotone
LIST PRICE: U.S. $20.00
LIST PRICE: CANADA $25
ISBN: 9780876331507
PUBLISHER: Philadelphia Museum of Art
AVAILABLE: 6/2/2001
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Elemental Landscapes: Photographs By Harry Callahan Published by Philadelphia Museum of Art.
Essay by Katherine Ware. Foreword by Anne d'Harnoncourt. Elemental Landscapes accompanies an exhibition at the Philadelphia Museum of Art that concentrates exclusively on the landscape photographs of the late American photographer Harry Callahan. The natural landscape was a subject that occupied Callahan throughout his career, and examples range in time from the early 1940s to the early 1990s, providing an in-depth look at the artist's evolution. Callahan was fascinated not by the wide, sweeping landscapes of photographers like Ansel Adams but by more intimate pictures, which often remove the context of earth and sky from the scene, creating abstractions that challenge our notions of landscape by presenting a small slice of the world in all its infinite detail.
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