| | | | | |
| | BOOK FORMAT
Paperback, 10.5 x 10 in. / 304 pgs / 67 color 15 bw. PUBLISHING STATUS
Pub Date 7/2/2002
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2002 PRODUCT DETAILS
ISBN 9780870700538 TRADE
List Price: $29.95 CAD $35.00 AVAILABILITY
Not available | TERRITORY
NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
|
| | | Fernand LégerEdited by Carolyn Lanchner. Essays by Carolyn Lanchner, Jodi Hauptman and Matthew Affron. Introduction by Beth Handler. Foreword by Glenn D. Lowry.
Fernand Lªger is the only major modern artist to choose modernity itself as his subject. From his early series Contrastes de formes of 1913-14--the first fully abstract works to emerge from Cubism--through his paintings of construction workers from the late 1940s and early 1950s, his enduring subject was the pulse and dynamism of everyday life. Lªger saw the 20th century environment as a "state of contrasts," a condition that he translated into art through forceful juxtaposition of shape, color, and line. His attempt to reconcile the formal concerns of artmaking with issues of social responsibility continues to be relevant to the art world of today. Accompanying texts recount Lªger's experience of and interest in America and America's interest in him; explore refractions of Lªger's interests in the work of more recent artists; and discuss Lªger's ambition to make an art reflecting the "new visual state" of modern life. An illustrated chronology tells the story of the artist's life, focusing on his time in America, the plate section is complemented by a series of short essays tracing the formal and thematic developments in his art, and a selected bibliography and detailed exhibition history complete the book.This book was published to accompany the 1998 retrospective at The Museum of Modern Art, New York.
|
| | | | |  | La FábricaISBN: 9788417769789
USD $40.00 | CAD $56 UK £ 34Pub Date: 10/18/2022
Active | In stock
|
|  | The Museum of Modern Art, New YorkISBN: 9780870707865
USD $9.95 | CAD $14.95Pub Date: 10/31/2010
Active | In stock
|
|
|
| |
| |
|
FORMAT: Paperback, 10.5 x 10 in. / 304 pgs / 67 color 15 b&w.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $35
ISBN: 9780870700538
PUBLISHER: The Museum of Modern Art, New York
AVAILABLE: 7/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2002 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS
Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com |
| Fernand Léger Published by The Museum of Modern Art, New York.
Edited by Carolyn Lanchner. Essays by Carolyn Lanchner, Jodi Hauptman and Matthew Affron. Introduction by Beth Handler. Foreword by Glenn D. Lowry. Fernand Lªger is the only major modern artist to choose modernity itself as his subject. From his early series Contrastes de formes of 1913-14--the first fully abstract works to emerge from Cubism--through his paintings of construction workers from the late 1940s and early 1950s, his enduring subject was the pulse and dynamism of everyday life. Lªger saw the 20th century environment as a "state of contrasts," a condition that he translated into art through forceful juxtaposition of shape, color, and line. His attempt to reconcile the formal concerns of artmaking with issues of social responsibility continues to be relevant to the art world of today. Accompanying texts recount Lªger's experience of and interest in America and America's interest in him; explore refractions of Lªger's interests in the work of more recent artists; and discuss Lªger's ambition to make an art reflecting the "new visual state" of modern life. An illustrated chronology tells the story of the artist's life, focusing on his time in America, the plate section is complemented by a series of short essays tracing the formal and thematic developments in his art, and a selected bibliography and detailed exhibition history complete the book.This book was published to accompany the 1998 retrospective at The Museum of Modern Art, New York.
| VIEW MORE ONLINE AT: https://www.artbook.com/0870700537.html |
| | |
|
