| | BOOK FORMAT
Paperback, 9 x 12 in. / 176 pgs / 120 color / 15 bw. PUBLISHING STATUS
Pub Date 3/2/2002
Out of print DISTRIBUTION
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Catalog: SPRING 2002 PRODUCT DETAILS
ISBN 9781890761042 TRADE
List Price: $34.95 CAD $40.00 AVAILABILITY
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| | | Fred Wilson: Objects And Installations, 1979-2000Issues in Cultural Theory, No. 4Edited by John Alan Farmer and Antonia Gardner. Essays by Maurice Berger, Jennifer Gonzalez.
If social justice is Fred Wilson's subject, the museum is his medium. By placing meticulously rendered objects in environments that carefully recreate the details of a museum setting, down to their wall colors, lighting, display cases and wall labels, Wilson incisively explores the question of how the museum consciously and unconsciously perpetuates racist beliefs and behavior. From Egyptian and classical Greek and Roman sculpture to African-American memorabilia, from the primativist painting of Picasso to the uniforms worn by often black museum guards, Wilson's provocative juxtapositions speak to a complex history of museological omission, manipulation and oversight. This book marks the artist's first mid-career survey.
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FORMAT: Paperback, 9 x 12 in. / 176 pgs / 120 color / 15 b&w.
LIST PRICE: U.S. $34.95
LIST PRICE: CANADA $40
ISBN: 9781890761042
PUBLISHER: Center for Art, Design and Visual Culture, UMBC
AVAILABLE: 3/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Fred Wilson: Objects And Installations, 1979-2000
Issues in Cultural Theory, No. 4 Published by Center for Art, Design and Visual Culture, UMBC.
Edited by John Alan Farmer and Antonia Gardner. Essays by Maurice Berger, Jennifer Gonzalez. If social justice is Fred Wilson's subject, the museum is his medium. By placing meticulously rendered objects in environments that carefully recreate the details of a museum setting, down to their wall colors, lighting, display cases and wall labels, Wilson incisively explores the question of how the museum consciously and unconsciously perpetuates racist beliefs and behavior. From Egyptian and classical Greek and Roman sculpture to African-American memorabilia, from the primativist painting of Picasso to the uniforms worn by often black museum guards, Wilson's provocative juxtapositions speak to a complex history of museological omission, manipulation and oversight. This book marks the artist's first mid-career survey.
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